Why Photography Contests Are Good for Business: 3 Arguments

photography-contests-are-good-for-business01Photo competitions have been around since the art of photography itself, but their history in itself doesn’t mean they are without detractors. On the one hand, there are those photo aficionados who tend to believe  that such contests are a sheer waste of time, organized by money- and rights-grabbing brutes with no real interest in the art. Yet, on the other, photo competitions do have value for the artists, since they prompt them to take an honest, objective look at their own work, cull it, curate it, and put their best foot forward. That’s why we at Virtual Photography Studio believe photography contests are good for business, no matter if you’re into wedding photography, glam, editorial, or photojournalism. They can help you carve out a niche and build a name for yourself and they can also do a whole lot more – join us as we explore three essential arguments in favor of photo contests.

#1 The money

It might sound petty, but one way to tell apart professional competitions from lame ones is the cash prizes. The winner of the International Photography Awards gets $10,000 in cash; the winner of the Deeper Perspective section within the same contest receives $5,000, and there’s also a $2,500 prize for the year’s best new photographer. If you win the grand prize of the Smithsonian Photo Contest you get $5,000 and there are also five $500 cash awards for the categories, plus a Readers’ Choice award worth just as much. The National Geographic Photo Contest awards its Grand Prize winner with $7,500 and each category winner with $2,500. Petty or not, when a serious chunk of cash is involved, one can’t help but think of how great money would be for making further investments into business.

#2 The exposure

Some photography contests are good for business even though they provide no actual cash prize, as is the case with the Photography Masters Cup. This competition asks for a $30 entrance fee and promises exposure in the PHOTO Paper Magazine, as well as several online media outlets. The above-mentioned IPA has had the work of its winners published on Buzzfeed, as well as on EYEMAZING. It goes without saying that some photo contests are great for exposure even only by sheer association (Smithsonian and National Geographic are two examples).photography-contests-are-good-for-business02

#3 The business leads

If you win the IPA, you get a trip to the prestigious Lucie Awards in NYC – and if you’re double lucky, you can even get your image selected for a 45-photo exhibition in the build-up for the show. And most local winners will get automatic exposure in local media outlets, irrespective of how prestigious the competition is – you can usually count on national/local pride to boost your prestige. Many previous winners of the contests mentioned above explained that photography contests are good for business because they allow you to become more connected with actual buyers in your niche. As such, winning the right contests is highly likely to ultimately boost your revenue.

Verdict: Top photography contests are good for business every time

Yes, we did say top photography contests are good for business – because the shady ones can actually be detrimental. Here are a few guidelines, if you’re looking to expand the notoriety of your wedding photography business by entering a contest and don’t know where to start:

–          Be wary of contests that charge entrance fees, but don’t offer any cash prizes. These are the money-hungry leeches we were referring to in the beginning.

–          Always, always read each competition’s policy on copyright. You do not want to give rights to your work for free, no matter how otherwise prestigious the contest sounds.

–          Make sure you enter the right category, when applying – and also check out the profile of each contest. Some are geared toward editorial work, while others tend to lean toward photojournalism more.

5 2014 Wedding Photography Trends to Watch out for

The year is well underway, yet many in the field of wedding photography are wondering what the most relevant 2014 wedding photography trends are. Read on to see our picks, which include online advertising, printed albums, and a whole new esthetic, in terms of actual picture-taking.

2014-wedding-photography-trendsFine-art photojournalism is in, vintage is out

‘Fine-art photojournalism?!’, you might exclaim. What’s that? Just what it sounds like: a blend of styles that brings together the candid quality of photojournalistic shots with just a dash of the impeccable style you would expect from fashion and editorial shoots. In other words, it’s the type of photography that manages to look both glamorous and unscripted. The vintage style, popular a few seasons ago, is reportedly falling out of grace with an increasing number of photographers, who are striving for a timeless look, instead of one that just looks dated from the get-go.

Truly professional photography

It was bound to happen, wasn’t it? On the one hand, we’ve seen a virtual boom of DSLR ownership among non-professionals over the past few years. On the other, an increasing number of photography hobbyists are going pro. These two factors combined bring us to one of the most interesting 2014 wedding photography trends. The experts predict this to be the year when the professionals will need to learn to set themselves apart from the non-pros. What’s the best way to do that? By finding a niche all your own and catering to the tastes of clients who know that a friend armed with a DSLR (no matter how expensive) is not quite the same thing as hiring a professional photographer.

Spectacular wedding albums2014-wedding-photography-trends02

In terms of 2014 wedding photography trends, one thing is for sure: much like in 2013, high-quality fine-art printed albums will continue to rule. Yes, yes, we know: these days everyone and their grandmother has Internet access and is dying to share digital wedding photos on social media. However, while providing your clients with a DVD of pictures taken on the big day will remain the standard, what will truly set the professionals apart is the energy they invest into creating a beautiful book of hard-copy mementos.

Stagnant pricing

The economy is ever so slowly recovering, but while this doesn’t justify price increases, the afflux of hobbyists turned professionals in the field of wedding photography warrants that prices will stay the same. This is not necessarily a bad thing, as it means the clientele is getting used to the idea that access to professional wedding photography services is something that comes at a price. In brief, the clients are becoming educated – and this is happening thanks to a handful of professional wedding photogs who are standing their ground, even in the face of economic sluggishness. What they’re doing actually benefits the entire field, since it means that emerging photographers don’t have to start out from the very bottom, in terms of fees.

2014-wedding-photography-trends03Wedding photography blogs

They’ve been around for just about as long as high-speed Internet connections, but the experts in 2014 wedding photography trends say that they’re here to stay for this year. It’s all thanks to the increasing weight and importance of online advertising. Social media has a lot to do with it, but so do the hefty prices that photographers are expected to pay, in order to have their work exhibited in bridal shows. Print advertising overall is declining and that’s obviously because there’s no comparing online publicity to what money can buy offline. As numerous professional wedding photogs are saying, these days a massive part of their business is coming in from their blog – so if you don’t have one already, you’d better get to it.

How to Choose a Makeup Artist for Wedding Photography

Choose-a-Makeup-Artist-for-Wedding-PhotographyPortraiture and wedding photography are definitely the two photo niches in which you can’t possibly do without the presence of a professional Makeup Artist (or MUA). Now, the problem with knowing how to choose a makeup artist for wedding photography is similar to finding a good photog for a wedding. Just like anyone with a camera believes they can pull off a great wedding shoot, so anyone with a makeup palette is convinced they know all about professional makeup. Hint: they don’t. If you want to see great results and happy clients, you need a pro MUA, and here’s how you go about finding and hiring one:

1. Go to Model Mayhem

Aspiring pro photographers, who dabble in either portraiture, fashion photography, fine art, wedding photography or anything that has to do with setting up a setting that also involves people, need to know Model Mayhem. This is a great platform for finding models and MUAs, irrespective of your skill and experience level. If you’re just starting out, you can help the MUA build their own portfolio, while you also improve yours, through TFP (trading for pictures) instead of paying them for the work. If you’re a more experienced photog, seeking to improve their business, choose a makeup artist for wedding photography who’s worked with a modeling agency. Try to find someone who is not only like-minded, but similarly experienced.

2. Choose a makeup artist for wedding photography who is great

While there’s no such thing as the perfect MUA, a great wedding photography makeup artist does need to tick off a few qualities on a checklist. Here are some things to look for in an MUA:

–          Punctuality. Nothing spells professionalism (or lack thereof) more in this business than respecting meeting times and deadlines.

–          People skills. If you want to choose a makeup artist for wedding photography in particular, then you need to look for someone who understands they’re not working with professional models. They’re working with real-life, nervous, often stressed out couples to-be.

–          A flair for branding. And not just their own. The best MUAs are both adaptable and pour their own vision into each shoot. This means that they understand and respect your own brand of wedding photography, while also pitching in their flair and skills.

3. Gauge your chemistry with your MUA of choice

In fact, let’s take the above pointer one step further: as you work with more MUAs, find a few of them (three or four, let’s say), with whom you’ve got chemistry. Chemistry, in this case, can be defined as similar work ethics, similar creative visions, and respect for each other’s skill and experience. It also has a lot to do with basic human interaction: if the two of you generally get along and can share a few laughs, then you have yourself a winner. We can’t possibly stress how important this is. The last thing you want is a meltdown between you and an MUA during an (already charged) wedding shoot.

4. Create a money-making wedding photography team

As you evolve and your wedding photography business progresses, make sure to stay as consistent as possible, in terms of how you choose a makeup artist for wedding photography. Work with the same people as often as you can, if you’ve found some who meet your standards and the above criteria. Have a go-to list of MUAs that you know you can rely on and book for shoots. This way, you can have the comfort of knowing what to expect, in terms of makeup, so you can go ahead and focus on your share of the work.

Success Stories: How to Create Your Own Photography Niche

In a day and age where social media and other media consumption habits gear users toward a torrent of visual information, how does a commercial photographer go about creating a lucrative business? The answer, according to more than just one accomplished pro photog, lies in knowing how to create your own photography niche. This is, of course, about personal branding to a large extent, but it also has to do with finding what you love, catering to an already existing audience, and getting noticed (and paid!) for it. Easier said than done, huh? Well, it might take a bit of soul-searching, market research, and adapting, but it certainly is feasible. Here’s how:

create-your-own-photography-niche

Create your own photography niche by providing quality products to ideal clients

Do you happen to know at least one photographer who does it all? Product shoots, events, concerts, architecture, fashion, travel, babies – they know all about it and dabble in them all. While, on the one hand, it’s perfectly acceptable to sometimes step out of your comfort zone and try your hand at a type of photography you’re not entirely specialized in, this is not a very good business strategy. See, the reasoning behind such a ‘smorgasbord’ approach is that the photographers in question believe that if they have something to offer to everyone, then someone will surely want to do business with them. Key word: someone. Anyone. On the other hand, though, the process through which you create your own photography niche starts with knowing what you love to photograph and who you can sell it to, ideally.

So, in your quest to create your own photography niche, start out by identifying the following:

  • The perfect picture. What segment of photography do you feel most comfortable with? Narrow it down as much as you want. It could be a particular type of wedding photography, or something exotic like pet portraiture. The important thing is that you’ve got the technical skills, gear, and experience, to create great pictures of this kind. Finding this segment will take an honest look on your part at your current portfolio. You can also gauge social media reactions to your photos, for an indicator, as well as ask for unbiased second opinions from your peers.
  • The perfect client. First and foremost, a perfect client in any photography niche is one that trusts their photographer and knows they’ve chosen the best person for the job. Then come the specifics. Perhaps you like to work with couples in your area, or with big brands, or not-for-profits. Whatever tickles your fancy is entirely acceptable.

In order to create your own photography niche, you need to find that point of intersection between the two narrowed-down groups above: the perfect product you are able to deliver, and the ideal person to pay for it.

The benefits of creating your own photography niche

There’s far more to gain from specialization in photography nowadays, than just mere monetization. Of course, this aspect is not to be ignored, but here are a few other things you’re likely to gain in the process:

  • Confidence. By working with and for people who appreciate the kind of work you do, you will also gain more self-trust in your own skills and value. This way, you’ll be able to price your shoots at a fairer value.
  • Identity as a photographer. When you stand out from the crowd, when you’re no longer just another photographer on the virtually endless list of online artists, you’ve got yourself a personal brand.
  • New business. This almost goes without saying – when you know what you’re about and what you can deliver to discerning customers, you will also know where and how to go looking for them. If it hasn’t already, you’ll start seeing your photography business take off.

Create Great Wedding Cinemagraphs in 15 Steps

create-great-wedding-Cinemagraphs

Image via PhotoJojo

What are cinemagraphs, you ask? Why, what a question! Essentially, they’re Graphics Interchange Format files, better known as .gifs. You’ve seen them all over your favorite entertainment websites online and you can even make them with nothing more than your smartphone these days, since, of course, there’s an app for that. However, there’s also a professional way to create great wedding cinemagraphs that will bring those unforgettable moments to life.

How to create great wedding cinemagraphs: A checklist

You’re going to need a camera that shoots video, a tripod, a video editing program and one version or another of Adobe Photoshop. And, of course, props, a model or several, and, most importantly, ideas for cinemagraphs.

#1. Plan out your scene. Shoot for subtle motions, moments and movements. In contrast, the rest of your scene should look great when still. Finally, aim for something that looks good when looped.

#2. Set up the camera as solidly as you can on its tripod and shoot away. You need 10 to 20 seconds of video tops.

#3. Make sure you’re shooting in the right format for Photoshop, i.e. either MOV or AVI.

#4. Import your video into Photoshop. You’re going to import the frames of the video into layers, and while more layers make for a smoother animation, anything above 100 layers is probably too much to work with.

#5. Check out the video frames, now imported into separate layers. Make sure you have all the layers you need.

#6. Go to Windows/Animation, to see the layers as actual frames in an animation. Play the animation to identify the moment you are going to be animating next.

#7. Once you’ve found the frames that display the portion you want to see animated. Bear in mind that some of the smoothness of the end .gif is going to be lost after you’ve deleted some of the layers, so choose them wisely.

#8. Choose your Alpha layer. That’s going to be the one layer that stays unchanged in the end .gif. duplicate it and place it over the other layers in the Layers window.

#9. Next, start creating movement in order to actually create great wedding cinemagraphs. This means that you need to start editing the Alpha layer with the aid of vector masks. These masks will effectively do away with the elements that are still in the Alpha layer, but that you want animated in the final version.

#10. Test out the animation, after you’re done masking the portions you want animated. Set the animation to loop Forever, then press play. Make note of any further edits you need to make, so as to make the movement as smooth as possible.

#11. Make sure your loop is smooth. There are several ways in which you can achieve this. One is by adding the Alpha layer plus the very first animation layer, right after the very last layer in the animation. Simply duplicate the last layer, then change what layers appear in it in the Layer window. For more complex animations, you’re going to want to loop some very specific frames in your Animation, that will help make the motion transition smoother.

#12. Color your .gif. .gif files unfortunately can’t hold as much color information as regular pictures, so you’re going to want to use an effect that works well with less data. You can either use a preset Photoshop action for a specific color effect, or colorize all the layers with a specific Photoshop mask.

#13. Save your final .gif in a resolution that’s suited for the web, i.e. not very large. You’re going to want your clients to show it off online and you’re also likely to showcase it in your portfolio. The typical resolution is 72 pixels/inch.

#14. Save the PSD project of the cinemagraph, then Save for Web & Devices.

#15. Enjoy the fact that you now know how to create great wedding cinemagraphs and don’t forget to show off your work!

Survivor’s Guide: How to Sell Your Photography in the Digital Age

sell-your-photography-in-the-digital-ageIf you’ve been in the pro photography business for at least a decade (or even several years), it most definitely hasn’t escaped you how much the business, industry, and, ultimately, the art of taking pictures, have changed during this time. Hark back in time some more, if you will, and you’ll note that the changes that photography has undergone over the past century are unlike those of any other medium. Back in the early 20th century, having your picture taken was a rare and momentous occasion; nowadays, everyone and their grandma is packing enough technology in their pocket as to take a photo anywhere, at any time. So, can you still sell your photography in the digital age?

The short answer is “more so than ever”. The long one is, of course, more complicated. On the one hand, with the multitude of apps and digital editing software available out there for one and all, the pro photographer nowadays is almost obligated to keep up with the digital Joneses. On the other hand, it is this very evolution of the digital realm that has brought up a whole new world of opportunity for professional photographers. To this end, in the following we’re listing some good tips to sell your photography in the digital age.

Know how to price yourself

It’s easy to fall into the trap of devaluing yourself, on today’s competitive digital photography business scene. However, it does a lot of harm to sell yourself short, both to yourself, as well as to your fellow photographers. Set your prices, make them reasonable but sustainable, and make sure you stay firm for the long run. Like with everything else, if the work you put out there is good enough, then pricing issues will become secondary for the buyer of your services.

Sell your photography in the digital age as art

You may be a wedding photographer, a travel photographer, or just about any other kind of photographer – the important thing to remember is that you are, first and foremost, an artist. It doesn’t matter that others out there are choosing to market their technical skills. If you genuinely want to sell your photography in the digital age, you will quickly come to the realization that it’s not the technical skills that will help you sell. That’s because those skills are finite: you can only improve them so much. But your ‘voice’, your own unique visual style, your trademark and signature, is something that will help you position, market, and ultimately sell yourself.

Improve your skill

That being said, don’t rest on the laurels of your career years past. In this field, much like in any other one that has anything to do with art, it’s important to stay in the loop. This is all the more true nowadays, with the digitally native generation of photogs coming up fast from behind. That being said, there are plenty of workshops out there from which you can benefit – at the very least, by learning from those more accomplished than you, you’ll also get the opportunity to network with them. At the same time, you’ll meet up-and-coming new talent and learn about new techniques you might not have been previously exposed to.

Find your niche

There is absolutely no shame in being a niche photographer these days – quite the contrary. Haven’t you noticed how profitable a business stock photography is, for instance? The knack in this sense is to get a feel for what the audience wants, be it wedding photography, or any other segment, and to develop a sense of upcoming trends. As long as you get that down to pat, chances are you’ll do just fine and manage to sell your photography in the digital age.

The Travel Photography Location Shoot Checklist

travel-photography-location-shootIf you’re an aspiring travel photographer, there are probably some inherent mistakes that you’re going to fall victim to. Don’t worry about it – take everything thrown your way as a learning experience and a spring board to better skills and more amassed know-how. That being said, though, there are certain mistakes which you can avoid: that’s why today’s post brings you the travel photography location shoot checklist. Make sure you skim, scan or actually take the time to read through it, then start packing. Each voyage to a new location to photograph is an experience worth enjoying through and through.

Read up

No one expects you to know everything about your chosen destination, since most things related to local customs, for instance, you will learn about on site. However, there are plenty of great guidebooks out there, that will paint an informative picture for you in broad strokes, which will prepare you for your travel photography location shoot. Some of the best ones include Lonely Planet, as well as the Rough Guides Series. It’s also a good idea to check out tips for lesser known locations, for instance, on online forums.

Pack light

It’s easy to get carried away when packing for your first travel photography location shoot – and it also happens to more experienced artists. However, try to tone it down, especially since weight restrictions on most lines are getting stricter these days. Here are the essentials, which you are absolutely going to need, no matter where you’re headed to:

–          Battery chargers for your camera and phone (and a travel adaptor, depending on where you’re headed to);

–          A laptop, both for storing and editing your photos on location, but also for keeping in touch with your family and contacts;

–          A removable HDD for secondary backups. Remember, you’ll be on the road quite a lot for your travel photography location shoot, so you don’t want to risk losing your work to theft or destruction;

–          A sunrise/sunset calculator, which will keep you up to speed on light changes, in accordance with local sunset and sunrise times.

Explore the magic hour

Traditionally, the magic hour for photographers, also referred to as ‘the golden hour’ is that time of the day late in the afternoon, when the sky is dappled in the most amazing colors, just before the sun sets below the line of the horizon. This time of the day is likely to help you produce some amazing shots in all natural lighting. However, there’s also another magic hour, which happens very early in the morning. The light is almost just as great, and there’s another perk to working before everyone else is awake. You don’t have to deal with the morning rush of tourists.

Check your travel photography location shoot kit

Check it twice, thrice, four times if you need to, before leaving for your travel photography location shoot. There are few experiences more frustrating for a photographer than arriving at an amazing location, only to discover they’ve left their most adequate lens at home. Here’s a rough guide for what to pack and take along:

–          A DSLR body;

–          A good, lightweight tripod;

–          A wide angle zoom (10-24mm, or 16-35mm);

–          A mid-range zoom (24-70mm, for instance);

–          A telephoto zoom (70-200mm);

–          A cable release;

–          A polarizing filter – as well as some ND grad filters, if you havethem or use them;

–          Optionally, take along a 1.4x tele-extender and a macro-lens – you never know when the mood might strike you for some good macro shots on location.

Your gear should always travel along with you, as cabin luggage. If it’s too heavy, stuff some lenses inside your pockets, but never-ever leave it elsewhere, as you may risk having it damaged or stolen.

Hell’s Bells: 7 Nightmare Wedding Photography Clients

nightmare-wedding-photography-clientsWhile every wedding photographer dreams of that perfectly cooperative couple, a dream to work with and easy-going, too – that kind of work assignment is rare. And, at the same time, while not every assignment is a disaster, the notion of nightmare wedding photography clients is certainly real. In today’s post we’re going to briefly outline seven of the most common issues that such clients are likely to pose (pun not intended).

#1 Nightmare wedding photography clients that ignore the schedule

Some people simply don’t understand that a photographer’s main resource is lighting. They blatantly disregard the wedding day shooting schedule, as they fail to grasp the importance of the time of day. Midday sun, for instance, casts very harsh shadows, in which most people won’t look good, so it’s important to avoid this time of day and shoot in the later hours.

#2 The chronically late/in a hurry

These nightmare wedding photography clients are a similar species with the ones listed above. While they do follow the schedule to a certain extent, they will either be late, or assume the shoot only lasts for 10 minutes. Make sure you approach such cases delicately and explain that it takes a bit of punctuality and patience of their side to get the shoot right.

#3 The uninvited second fiddle

A very specific type of nightmare wedding photography clients will bring along a relative with pro photo gear, who will insist to take pictures alongside with you. Yes, they mean well in most cases, but chances are they will also get in your way, ruin your official shots, and provide unsolicited advice. Try to approach them with kindness, but gently explain they should leave the picture-taking to the actual hired professional.

#4 The clients that hate the way they look in the photos

Some wedding photography clients don’t understand why it’s important to communicate with their photographer beforehand. After all, you’re a professional, so, in their view, you should be able to just guess how they like to look in pictures. Kindly ask all clients to show you pictures of themselves that they actually like before going ahead with the shot. Alternatively, you can ask them to explain what looks and angles they would like to avoid.

#5 The camera darlings

On the opposite end of the spectrum from the nightmare wedding photography clients who don’t enjoy picture taking at all there are those who love it a bit too much. You should always make sure to reassure the couple to be that a wedding day photo shoot shouldn’t actually take all day. The best wedding photos are those in which the couple and guests can be seen enjoying themselves, not cooking up elaborate, unlikely poses for the camera. This kind of thing can turn tiring very fast and will almost always end up looking artificial and phony.

#6 The last minute special

Most couples to be understand that booking a photographer early is just about as important as booking the venue and band in a timely manner. However, not all of them do, which makes some postpone the decision until the very last minute. This, of course, can tend to make them feel frustrated with their choice and usually leads to rushing through the whole photographing process, in order to make sure they’re getting all the photos they want.

#7 The trend addicts

Wedding photo booth? Sure, they want one. The Instagram hashtag? Of course they want you to take care of that, too! Some couples will just fall for anything that’s trendy right now, in terms of wedding photography – and no photog out there could ever satisfy their needs, no matter how skilled or versatile he/she is. Explain that great wedding photography is the kind that passes the test of time, not the kind that got 100k likes on  Facebook yesterday.

Family Photo Shoot Time: How to Photograph Kids and Pets

A recent post here at Virtual Photography Studio covered the often delicate issue of organizing and setting a price for photo shoots that involve newborn babies. And since we were on the topic of family photos, we’ve decided to tackle another related subject today: how to photograph kids and pets together. Two of the most difficult to approach subjects in family and wedding photography also often make for some of the most engaging photos in the field. They are also often to be found at weddings and family celebrations since, let’s face it, they’re often the stars of the affair. Now, you may already know how to take endearing pictures of the family pooch, or how to bring out the best in little Timmy’s personality in front of the camera. But what happens when you need to work with both of them at the same time? Here are some of the basic tips you can readily apply in such scenarios, to come up with lovely pictures of the whole family!How to Photograph Kids and Pets

Capture them on the go

What can be more genuine and lovely than a picture of a child frolicking with the family dog, on the freshly mowed lawn? Not many things, if you ask us, which is why it’s always a good idea to capture these subjects as they move about. Avoid asking kids to pose, if you can – you run the risk of coming up with a photo that looks contrived. Instead, follow them at play and capture spontaneous moments. The technique of action shots does require a good dose of practice, but it’s well worth it, after all is said and done.

How to photograph kids and pets? At their level!

The most engaging portraits, irrespective of the species you’re shooting, are taken at eye level. This, of course, means that when you’re photographing kids and pets together, you’ll be spending most of your time on your knees. However, a well-framed shot of a kid holding a kitten, eyes looking directly into the camera, can melt even the iciest of hearts. Of course, don’t take this to mean that you need to make your ‘models’ look into the lens – in fact, you should probably avoid this altogether. Instead, for great effects, try to shoot from the perspective of the animals and kiddos you’re photographing. This will make your work seem natural and candid, it will help you achieve even lighting, and will probably greatly improve the quality of the background, too.

Up, close, and personal

Another rule of thumb on how to photograph kids and pets is to use your viewfinder and/or camera LCD to fill up as much space as you can with your subject. The closer you get, the more personal the shot will look, in the end. Don’t shy away from using the camera’s zoom, either. Remember that your aim is to capture those moments that count and they usually happen when a close bond is formed. They’re not the kind of moments you can notice from a distance, you know? Remember to check out the closest zooming distance whenever you go in for the zoom, then fire away.

Focus!

One of the biggest challenges that even professional photographers are faced with, when photographing more than a single subject, is that of blurry, out-of-focus pictures. It most often happens when you’re using the auto-focus function of the camera (which you never should do, anyway, as a professional photographer). Make sure to lock the focus on your subject, then fire away. With a bit of luck (and a lot of practice) you’ll get clear, focused shots of precisely what you had been aiming for: love.

7 Things To Help You Improve Your Boudoir Photography Sessions

One of the fastest growing niches in the photography industry is boudoir, and with good reason.

Have you ever tried to take a boudoir selfie? Nope, it just doesn’t work.

There’s a special art form to creating a really great boudoir image. Yes, anyone can say they shoot boudoir and snap a few images outside. But to get really creative and have your work stand out from the crowd, it takes time and commitment to the art form.

What can you do to improve your images?

Study Boudoir Photography

With the Internet at your disposal, its easy to find very good photographers within this industry. Dedicate an hour or two to research and head out and find sites with the images you love and are comfortable taking and presenting to your clients. Yes, you can create a “hidden” board on Pinterest to mark your favorites and have immediate access to them at any time. And in fact, this is a great way to have your cheat sheet with you on your shoots. Just pull up your Pinterest app on your iPad, pull up your hidden board, and have inspiration at your fingertips as you shoot. Don’t be afraid to use those images as inspiration as you set up your own images – your style will come as you gain confidence and discover what works for you.

Don’t Assume Your Clients Know What To Do

When a client books a boudoir session, they have some understanding of what they want. But they still need direction. Instead of a quick conversation – bring this and that – establish a marketing kit that provides them with the details. You can provide guidebooks on how to get comfortable in front of the camera. You can provide ideas for clothes and props to bring. You can provide sample images from other clients. Make it distinct for each individual client. This alone will give you an edge on looking and acting professional – your clients will love it.

Set Your Rules From The Beginning

Will you shoot in your studio or your clients’ homes? Will you shoot outside? Will you work with nudity? Will you work with individuals or couples? Just because you define boudoir photography in one manner doesn’t mean your potential clients might not have a different definition. And it can be very uncomfortable if you aren’t working towards the same goal. Be very specific about what is acceptable and what isn’t. Don’t be afraid to have guidelines available – share them before you book with a client, and consider placing them on your website for anyone to see before they decide to book with you.

Have Options

Does your client want the full treatment for her special day? Why not work with a makeup artist and a hair stylist who can come together with you for a complete package deal. Give her the royal queen treatment! Not only will she feel great, she’ll look happier and sexier for her final images too.

What’s The Final Product?

Sure she wants a boudoir session. But the session itself is only half of your service. What will she be taking home? A few images on a CD won’t cut it here. This is where you should have many options available for her to present her “surprise” to her significant other. A secret photo album? A framed image she can unveil? You can set the scene – and the excitement – by teaching your prospects what the outcome of a session will be.

Teach The Session

While many women love the concept of boudoir photography, some will definitely be more comfortable than others with the actual process. As a photographer, it’s your job to put your client at ease from the beginning. Can you create special videos to showcase the process? Can you show them the experience before they book with you? How do you talk with them when they first connect with you? How much detail can you put into your sales process to show them they can be comfortable every moment of the shoot? Boudoir isn’t like a family portrait. You can’t just show up and wing it. Put time into every aspect of it and it will improve your process immensely.

Boudoir Photography: The Quick Start Guide For Professional Photographers.

Understand Your Clients

Instead of reaching out to “all” women, choose a specific niche to work with. Maybe you live in an area where you can work with military wives wanting something extra special for their husbands’ homecoming. Maybe you work with cancer patients wanting to feel sexy with their bodies again. There are many directions you can take with boudoir photography, and it all can stretch beyond “every woman”. The more specific you are from the beginning, the easier it will be to create your marketing materials and reach out to your niche market.