The Brief Guide to Golden Light Wedding Photos

They don’t call the golden hour ‘the magic hour’ for no reason. There’s a certain soft, joyous quality to images taken in that kind of light that makes it ideal for the most wonderful portraits, be they for glam shoots or wedding shoots – or just about any other type of photography that involves human subjects. Of course, there’s something to be said about shooting in window light, shade, backlight, and even in direct sunlight. But there’s nothing quite like shooting portraits at magic hour, which is why today we bring you our very own version of a quick guide to golden light wedding photos. There is simply no match for it, neither in terms of artificial lighting or post-production. You can’t replicate it no matter how hard you try and how many filters and actions you try. So let’s delve right into it, then:

The unmatched qualities of golden light wedding photos

Christina McNeillSoftness

The thing about golden light wedding photos is that they can actually be taken with the subjects staring straight into the sun without so much of a squint. Light at that time of day is softer because it takes a longer time to reach the surface of the Earth, as it has more distance to travel across the universe.

Warmth

Another quality that’s unique to golden light wedding photos is the temperature of the light. In somewhat more technical terms, at magic hour the blue wavelengths of light particles are more scattered, which is why there are more reds and yellows in its makeup. This will make your wedding portrait subjects look almost golden – sort of naturally tanned-like.

Depth

Magic hour is essentially that time of day right before sunset, which means the sun has descended lower in the sky. This low angle will effortlessly add depth to your photos. Since your subjects will have longer, softer shades at that time of the day, the pictures will look more dynamic and more profound, in terms of depth-of-field. Golden light wedding photos simply look like more accurate 2D representations of this three-dimensional world.

When to take perfect golden light wedding photos

golden-light-wedding-photos02The ‘magic hour’ is actually about two hours each day: one right after sunrise and one immediately before sunset. The span of time you have at your disposal also varies according to where on Earth you live or the place to which you’ve traveled for the photo shoot. The rule of thumb is that the closer you are to the Equator, the shorter the golden hour is going to be. Seasons also extend or shorten the magic hour (with less natural sunlight in the colder season, it goes without saying that there’s going to be less golden light then). And, of course, the weather also plays a major role in how much time you get for taking golden light wedding photos. Clouds in the sky are not a good sign, if you’re going for that warm, soft vibe of magic hour portraits – though they can work wonders for achieving sharper shadows and a more dramatic quality to your pictures. In the case of weddings, the golden hour will usually catch you right after dinner or during the meal, so try to inform your clients of this in advance, so you can sneak out into the great outdoors with them for a few beautiful portraits.

How to shoot golden light wedding photosgolden-light-wedding-photos03

There are lots of great options in this sense, since golden light is so permissive. You can have your subject directly facing the light, or you can get a warm glow with backlit portraits. In this second scenario, you can also try to obtain a rim of light outlining the silhouettes of your subject, which will make it stand out from the background and appear aglow. You can also try to obtain a flare, which will differ greatly from one specific aperture to the next, from one lens to the other – try to find the best kind of effect for your subjects. And, of course, golden light allows for a ton of experimentation, so just go out and have fun with it!

The One Trick to Get Your Wedding Photography Clients to Follow the Rules

Have you ever had to deal with those kinds of nightmarish wedding photography clients that you just couldn’t convince to follow the rules, no matter what approach you took? You tried sweet talking them and they just got even more relaxed about the rules. You tried to be more firm about your principles (think punctuality, clear-cut decisions about locations, make-up, etc.). They failed to take you seriously – or, conversely, gave up working with you altogether, because you had turned ‘dictatorial’. If such conundrums sound familiar to you, you’re probably also wondering if there’s a way out of them. We’re here to tell you that there is: you can get your wedding photography clients to become more rule-abiding, with the aid of this single simple psychological trick.

Reverse that psychology on your wedding photography clients

wedding-photography-clients-rulesIf you’ve ever visited Trafalgar Square in London, you may have noticed the big signs that say “Please, don’t feed the pigeons – they cause damage and nuisance to the square”. Even if you have, even if you haven’t, try to imagine what such a sign would rouse in you. Be honest about it. Would you be tempted to do the exact opposite of what the sign would ask you? If so, it’s not because you’re particularly naughty or have a penchant for disobeying: it’s because rules like this one tell you two things. 1. That it’s not good to do a certain thing. And 2. That a lot of people are doing it anyway. So, the basic takeaway from this lesson, is that if you want your wedding photography clients to follow rules, you need to word them right.

As the old adage goes, people are social creatures. If a group of people does a particular thing, chances are others are going to follow in their footsteps. It’s the principle of social proof, deeply ingrained in our mentalities, which tells you that if other people are doing it, you should probably be doing it, too. Psychology has countless examples in this sense: for instance, when the IRS announced it was hiking tax penalties because tax evasion had been rampant during a particular year, tax fraud actually increased the next year. Because, hey, “if everybody else is doing it, why can’t I?”, right?

How to formulate rules your wedding photography clients will actually respect

If you’ve been following this post up to now, it’s probably quite clear to you. Combine reverse psychology with the principle of social proof and you’ve got yourself a good rule on your hands, which people are going to want to abide by. Here are a few examples and counter-examples.

Example #1: Late bookers

BAD: Don’t book me two weeks before your wedding! It’s annoying, unprofessional and messes up my schedule!

GOOD: Most clients I’ve worked with successfully in the past had booked me right after setting the date. This gave us a lot of time to get to know and understand each other, figure out all the details and come up with great ideas for photos.

Example #2: Sharing photos with no watermark

BAD: Do not share my photos on Facebook without a watermark on them!

GOOD: All clients receive a set of watermarked images, which they are more than welcome to share on Facebook. In fact, I love it when wedding photography clients share my work, because this basically works as free advertising for my business!

Example #3: The chronically late

BAD: If you’re always late for shoots and appointments, I’m going to become really annoyed and frustrated working with you.

GOOD: Most clients do their best to respect the set times of our meetings and this helps us work better together, since we’re all more relaxed.

4 Best Practices for Wedding and Event Photography

best-practices-for-wedding-and-event-photography01During the past few years, the recession and economic turndown notwithstanding, it’s become ever clearer that event photography in general, and wedding photography in particular, have turned very competitive. It’s not just the fact that money is harder to come by generally speaking – there are now more hobbyists turning pro than before, since (semi-)professional DSLR cameras have gotten more affordable and accessible to handle. So we though a guide of best practices for wedding and event photography was in order, which is why we’ve collected some of the most essential advice on this topic that we could find on the web. Check it out and let us know if you think anything essential is missing from our list.

The selection is up to you, not the client

Events (and weddings in particular) are occasions for shooting non-stop. You fire away and, before you know it, your memory card is filled and you’ve got hundreds of photos to choose from. Curating the entire raw material and selecting the best photos might sound like a drag, a bore, and a chore, but you still need to do it. It’s up to the artist to select their best photos and present them to the client; allowing customers to wade through dozens of blurry, out-of-focus or otherwise inadequate pictures is entirely unprofessional.

Market yourself with deadlines

The above principle might sound counterintuitive, but it’s all about marketing your photography business properly in the digital era. You see, the Internet is altering purchasing mentalities as we speak – clients are much more prone now to put off a buying decision. However, with the right attitude and best practices for event and wedding photography, you can counter that. Set a deadline for yourself, create a special offer which expires after a certain date, and watch how your clients respond. Chances are many of them will react to this sense of urgency.

Business is business

Among the best practices for event and wedding photography is the fact that you need to remember you’re running a business. Sure, you may have gone into photography because it was fun, enjoyable, and you are passionate about it. However, at the end of the day you still have bills to pay, a studio to maintain, and equipment to purchase. Tailor your products and service cost planning according to your financial needs. Understand your market segment: take a good look at what sells and what doesn’t and always keep improving.

best-practices-for-wedding-and-event-photography02Build relationships

Photography is, to a large extent, a people-oriented field. If you work exclusively in non-wedding event photography, you probably already know how important it is to create a good relationship with your returning customers. The same applies for wedding photographers that regularly collaborate with a particular MUA, wedding planner, or wedding planning agency. So, what’s the best way to hone a successful professional relationship? It’s as simple as being personable, sociable, and friendly. Get people talking about you. Create word of mouth and work consistently toward building a reputation.

Looks like a pro, walks like a pro, talks like a pro…

Don’t dismiss the final item on our list of best practices for event and wedding photography as superficial. It’s important to present yourself as a professional photographer whenever you come into contact with (potential) clients. This means keeping your gear in good shape, having business cards prepared, and pitching your business – but not excessively and ad nauseam. What you want to achieve is to make (potential) clients understand that they need you. You will want them to seek you out, not the other way around, so do your research on trends, take part in wedding expos, and put your best foot forward, both in terms of professional attire, as well as in terms of professional portfolio.

Why Photography Contests Are Good for Business: 3 Arguments

photography-contests-are-good-for-business01Photo competitions have been around since the art of photography itself, but their history in itself doesn’t mean they are without detractors. On the one hand, there are those photo aficionados who tend to believe  that such contests are a sheer waste of time, organized by money- and rights-grabbing brutes with no real interest in the art. Yet, on the other, photo competitions do have value for the artists, since they prompt them to take an honest, objective look at their own work, cull it, curate it, and put their best foot forward. That’s why we at Virtual Photography Studio believe photography contests are good for business, no matter if you’re into wedding photography, glam, editorial, or photojournalism. They can help you carve out a niche and build a name for yourself and they can also do a whole lot more – join us as we explore three essential arguments in favor of photo contests.

#1 The money

It might sound petty, but one way to tell apart professional competitions from lame ones is the cash prizes. The winner of the International Photography Awards gets $10,000 in cash; the winner of the Deeper Perspective section within the same contest receives $5,000, and there’s also a $2,500 prize for the year’s best new photographer. If you win the grand prize of the Smithsonian Photo Contest you get $5,000 and there are also five $500 cash awards for the categories, plus a Readers’ Choice award worth just as much. The National Geographic Photo Contest awards its Grand Prize winner with $7,500 and each category winner with $2,500. Petty or not, when a serious chunk of cash is involved, one can’t help but think of how great money would be for making further investments into business.

#2 The exposure

Some photography contests are good for business even though they provide no actual cash prize, as is the case with the Photography Masters Cup. This competition asks for a $30 entrance fee and promises exposure in the PHOTO Paper Magazine, as well as several online media outlets. The above-mentioned IPA has had the work of its winners published on Buzzfeed, as well as on EYEMAZING. It goes without saying that some photo contests are great for exposure even only by sheer association (Smithsonian and National Geographic are two examples).photography-contests-are-good-for-business02

#3 The business leads

If you win the IPA, you get a trip to the prestigious Lucie Awards in NYC – and if you’re double lucky, you can even get your image selected for a 45-photo exhibition in the build-up for the show. And most local winners will get automatic exposure in local media outlets, irrespective of how prestigious the competition is – you can usually count on national/local pride to boost your prestige. Many previous winners of the contests mentioned above explained that photography contests are good for business because they allow you to become more connected with actual buyers in your niche. As such, winning the right contests is highly likely to ultimately boost your revenue.

Verdict: Top photography contests are good for business every time

Yes, we did say top photography contests are good for business – because the shady ones can actually be detrimental. Here are a few guidelines, if you’re looking to expand the notoriety of your wedding photography business by entering a contest and don’t know where to start:

–          Be wary of contests that charge entrance fees, but don’t offer any cash prizes. These are the money-hungry leeches we were referring to in the beginning.

–          Always, always read each competition’s policy on copyright. You do not want to give rights to your work for free, no matter how otherwise prestigious the contest sounds.

–          Make sure you enter the right category, when applying – and also check out the profile of each contest. Some are geared toward editorial work, while others tend to lean toward photojournalism more.

7 Useful Tax Deductions for Photography Businesses

tax-deductions-for-photography-businessesLooking forward to filing your taxes on Tax Day? Well, to be earnest, who is? The good news is that, if you own and run a photo biz, there might just be several tax deductions for photography businesses that you are eligible for. Of course, take our advice below as just what it is: friendly advice, dispensed with the best intentions at hear; understand, however, that such advice is not meant to replace professional consultancy from your accountant and/or lawyer. That being said, provided you’ve kept good records of your spending throughout the past fiscal year, here are seven such deductions you should probably look into.

1. Car costs

It’s likely you drive to get to your clients or move around the area, from one shoot to the next. You may be able to pass off your automobile expenses as one of the tax deductions for photography businesses. You can track the mileage on your car, when using it for photography and apply the government’s per-mile rate to each mile driven for photo purposes (the current rate stands at $.565). Alternatively, you can work out the percentage of time that you drive your car for photography business purposes and deduct the costs for that span of time from your overall car maintenance costs.

2. Travel costs

Similarly, you can count all travel expenses that are accounted for and were incurred for your art as tax deductions for photography businesses. Of course, this means you will have to start storing and filing plane tickets, car rental receipts, taxi fare and public transport receipts, restaurant bills, hotel bills, and just about any piece of paper that proves you spent money while away traveling for a shoot.

3. Housing expenses

This one is probably going to come in handy for any photographer that runs a studio or office right out of their own home. You need to calculate how much space inside your home is allotted to your photography business, work out the costs for maintaining that particular amount of space and then file for deductions from your mortgage, home insurance, bills (for electricity, water, and anything else).

4. Office/studio costs

This is one of those tax deductions for photography businesses that’s mutually exclusive with another one – namely, the one listed above. In other words, you can’t get a tax deduction both for a home office/studio and for such a space that you’re renting out elsewhere. However, if you don’t operate your office and/or studio from the comfort of your own home, you will be able to file for a deduction for these separate business expenses.

5. Phone lines

In order to get tax deductions for photography businesses for phone lines, you need to have a separate line that you only use for your photography business. Also, it goes without saying that you need to keep a clear record of the calls you’re making, be they local or long-distance, in order to talk with clients or arrange other aspects that have to do with your business.

6. Internet and site bills

No, you can’t get all your internet bills written off as business expenses, but if you own a site dedicated to your business (and we can only hope that you do, given the fact that this is 2014) a fraction of those costs become deductibles. Figure out how much bandwidth you use for website maintenance, then file for a deduction.

7. Training

Photography is one of those fields in which an ongoing education really goes a long way. That’s why the government sees photography workshops, seminars, and courses as potential tax deduction areas. Keep good track of those expenses and make sure to include them  all, when you file for taxes.

5 2014 Wedding Photography Trends to Watch out for

The year is well underway, yet many in the field of wedding photography are wondering what the most relevant 2014 wedding photography trends are. Read on to see our picks, which include online advertising, printed albums, and a whole new esthetic, in terms of actual picture-taking.

2014-wedding-photography-trendsFine-art photojournalism is in, vintage is out

‘Fine-art photojournalism?!’, you might exclaim. What’s that? Just what it sounds like: a blend of styles that brings together the candid quality of photojournalistic shots with just a dash of the impeccable style you would expect from fashion and editorial shoots. In other words, it’s the type of photography that manages to look both glamorous and unscripted. The vintage style, popular a few seasons ago, is reportedly falling out of grace with an increasing number of photographers, who are striving for a timeless look, instead of one that just looks dated from the get-go.

Truly professional photography

It was bound to happen, wasn’t it? On the one hand, we’ve seen a virtual boom of DSLR ownership among non-professionals over the past few years. On the other, an increasing number of photography hobbyists are going pro. These two factors combined bring us to one of the most interesting 2014 wedding photography trends. The experts predict this to be the year when the professionals will need to learn to set themselves apart from the non-pros. What’s the best way to do that? By finding a niche all your own and catering to the tastes of clients who know that a friend armed with a DSLR (no matter how expensive) is not quite the same thing as hiring a professional photographer.

Spectacular wedding albums2014-wedding-photography-trends02

In terms of 2014 wedding photography trends, one thing is for sure: much like in 2013, high-quality fine-art printed albums will continue to rule. Yes, yes, we know: these days everyone and their grandmother has Internet access and is dying to share digital wedding photos on social media. However, while providing your clients with a DVD of pictures taken on the big day will remain the standard, what will truly set the professionals apart is the energy they invest into creating a beautiful book of hard-copy mementos.

Stagnant pricing

The economy is ever so slowly recovering, but while this doesn’t justify price increases, the afflux of hobbyists turned professionals in the field of wedding photography warrants that prices will stay the same. This is not necessarily a bad thing, as it means the clientele is getting used to the idea that access to professional wedding photography services is something that comes at a price. In brief, the clients are becoming educated – and this is happening thanks to a handful of professional wedding photogs who are standing their ground, even in the face of economic sluggishness. What they’re doing actually benefits the entire field, since it means that emerging photographers don’t have to start out from the very bottom, in terms of fees.

2014-wedding-photography-trends03Wedding photography blogs

They’ve been around for just about as long as high-speed Internet connections, but the experts in 2014 wedding photography trends say that they’re here to stay for this year. It’s all thanks to the increasing weight and importance of online advertising. Social media has a lot to do with it, but so do the hefty prices that photographers are expected to pay, in order to have their work exhibited in bridal shows. Print advertising overall is declining and that’s obviously because there’s no comparing online publicity to what money can buy offline. As numerous professional wedding photogs are saying, these days a massive part of their business is coming in from their blog – so if you don’t have one already, you’d better get to it.

Photographer’s Best Friend: Google Reverse Image Search

It’s all diff’rent strokes for diff’rent folks when it comes to image usage and propagation online: while some photographers are happy to have their work featured on Tumblr, Facebook, various blogs, and media outlets, others are less than excited about it. Today’s post is for those who fall in the latter category, rather than the former. It’s here to teach you how to use Google reverse image search, in order to find your pictures all over the web. Perhaps you’re not happy with not being credited, or maybe your image is used in a context you don’t want to be associated with. Whatever your reasons may be, here’s the way to find those pictures and prevent further occurrences from happening.

How to start the Google reverse image search

Image search is a service provided by search engine giant Google, in order to help others find specific photos online; conversely, the Google reverse image search is what you do when you have the image already, but want to know who else has it and has been using it. There are two ways to start your Google reverse image search: one is by uploading your photo into the Google images search bar, and the other is by copying the photo’s original URL (say, off your own blog or website) and pasting into the search bar. As far as the first option goes, you can also simply drag and drop the image into the search bar, if you find this easier.

The Google reverse image search results

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Photo via Photo Shelter

The results that Google reverse image search delivers look much like a collage of visually similar pictures. Note that they may not all be precise and exact matches of your photo. However, chances are you will come across websites that have been using the photo without your explicit authorization. Another great feature that Google delivers at this point is a brief text-based description of your photo and the context in which it’s being used. Perhaps yours is not so much a case of being offended by ‘photo theft’, but maybe the website owner or blogger that’s featuring your work has misspelled your name or attributed the image to someone else by mistake. This feature will allow you to identify such errors and contact the people in question, to ask them to amend the issue. You can also use the advanced image search page to find your work online. Google can help you specify various words your photo might be used in context with. It will let you whittle down the results by image size, aspect ratio, colors, type, usage rights, and many other filters.

More Google reverse image search tips & tricks

–          Search for as many different variants of the same photo, even if the differences between them and the original picture are subtle – especially if you’ve uploaded more than one version of the same photo online. Some might be cropped differently or uploaded in other color schemes.

–          You might find your work online edited by third parties: cropped, rotated, in black and white, etc.. Try searching for differently Photoshopped variants of your own work by creating these variations yourself.

–          Don’t disregard smaller sizes of your image. Perhaps someone has resized an initially large photo and is using it as such. Google has a harder time spotting visually similar images in smaller sizes, because, the smaller the photo, the less data it has to work with. Resize the photos yourself and look for them like this.

In terms of what you decide to do with the results, the choice is entirely up to you. It all has to do with the way you license your work and whether or not the people using the pictures are making money off your back – case in which you might even decide to prosecute for copyright infringement.

5 Pro Point-and-Shoot Cameras You Might Want to Use

Come, now: point-and-shoot cameras are not for professional wedding photographers such as yourself, are they? If you just had that thought, while reading the title of the article, you probably haven’t been in the business of photography for too long. You might think that owning a DSLR alone will automatically qualify you as a professional wedding photographer. The truth is that both those statements are false and there are some great, pro point-and-shoot cameras out there, which even Pulitzer-prize winning photographers use. Which brings us, in turn, to our next point: that sometimes it pays off to use point-and-shoots, even for wedding photography, or other types of professional photography. Without further ado, here are 5 such cameras, recommended by the professionals themselves.

Nikon COOLPIX P7000

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The P7000 is one of the pro point-and-shoot cameras on our list because it’s got great video abilities, matched by DSLRs (24fps). Many photographers who shoot portraits, or other types of studio photography, have been known to use this cute little camera for shooting behind-the-scenes videos, which merge seamlessly into the final video, without any noticeable compatibility issues in terms of frame rate. If you also add a shoe-mount shotgun microphone, you can actually shoot great videos, interviews, or any other type of similar material at great quality. Some also use the camera for stills and appreciate its optical viewfinder.

Ricoch CX5

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Both the Ricoch CX4 and the Ricoch CX5 make the list for pro point-and-shoot cameras that some photogs like to use from time to time, mainly because they shoot video at 2/2.5 per second. One other aspect of this family of cameras, which makes them very versatile, and also suitable for professionals, is the quality of the images they produce in several modes. According to some, they’re great for macro shots and can produce reasonably good tele shots. The video, which is shot at 1280p also tends to look quite good, even though the quality of the audio isn’t up to par (it tends to lag, at times).

Leica D-LUX 4

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All right, so Leicas are not regular cameras in any respect, starting with their history, the kind of quality they are able to produce, but also their (often hefty) price tags. However, it should be said that the Leica D-LUX 4 is one of the truly amazing pro point-and-shoot cameras on this list, even if it’s one of the pricier ones. It’s compact in size, looks great, and makes for an awesome travel companion – if you do travel photography or like to shoot on the go, it’s hard to beat this little gem. It also requires no accessories, in order to produce great photos.

Fujifilm FinePix X100

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The Fujifilm FinePix X100 is not the easiest of the pro point-and-shoot cameras to work with, since it’s a bit complex, in terms of manual functions. It’s got lots of buttons and menus and it might take you a while before you figure out how to properly expose a picture. On the downside, it doesn’t always get the focus quite right and it can also take some time before it finds the focus. In other words, it’s not the world’s best camera for impromptu shots. However, if you’re into wedding photography, then you’re probably planning out shots ahead anyway, which means you might find some use for this camera.

Sony NEX-5N

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This pro point-and-shoot camera can be successfully used for shooting portraits, especially if you also add the NEX-5N Electronic Viewfinder, as well as some of the dedicated lenses from Sony. For portraits, the results it manages to achieve are very close to professional cameras, even though this one is comparatively tiny, lightweight, and extremely easy to use.

Rekindle Your Passion for Wedding Photography in 3 Easy Steps

It happens to the best of them: we haven’t asked, but we’re sure that, were you to catch her on an off day, even contemporary glam photography guru Annie Leibovitz sometimes feels like the spark is just gone.

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Bottom line, no matter how passionate you may be about wedding photography, sometimes that passion just vanishes without a trace. Sometimes you feel stuck in a rut and, no matter what you do, you’re just not happy with your work. It happens to us all, which is why we’re here today to show you what you need to do, in order to rekindle your passion for wedding photography in three simple steps.

Ever felt this way? You need to find your passion for wedding photography again!

The danger of feeling stuck and trapped within monotony is that you develop an entire range of very negative, self-deprecating thoughts about your work. And while, at first, it may seem like these ideas will propel you toward creating ever better wedding photos, this rarely ever happens. Rather, you become more prone toward creative blocks, which, in turn, lead to creative frustration and a whole lot of resentment. In fact, what these thoughts are there to tell you is that you need to take better care of yourself, both as a person, as well as a creative individual, who happens to work in wedding photography. Here’s what could have gone wrong and made you feel that your work is subpar, or otherwise inadequate:

–          You keep compromising. Instead of working toward honing your creative vision, you’ve let go one time too many.

–          You don’t value yourself and your work enough. Yes, it’s perfectly fine to turn down a job or two every now and then – especially if you’ve been feeling stressed, overworked, and burned out.

–          You feel underappreciated and, hence, uninspired.

The good part is that all creative individuals, no matter the field they’re working in, feel this way every now and then. If they say they don’t, they’re lying (either to you, or to themselves). The part that’s even better: you can fix these feelings and make them work for you, not against you. Here’s how:

Step #1: Where do you see yourself?

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This may sound like a total cliché, but in order to find your passion for wedding photography all over again, you need to refocus on your vision. Your ‘voice’ as a photographer. Your signature style. This may mean that you’re going to have to start learning to turn down projects that don’t align with that creative vision. It’s all a matter of prioritizing and of asking yourself: ‘does this job make me feel proactive? Am I working to achieve a dream, or simply going with the flow?’ If your answer is geared more toward the ‘going with the flow’ option, perhaps it’s time to step back and assess whether or not you really need to say yes to the umpteenth White Wedding gig this year. Refer the potential clients to someone who can do the job and move on.

Step #2: Step outside your comfort zone

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The paradoxical thing about being a wedding photographer is that you sometimes end up saying yes to engagements that you know won’t help you learn. They are clearly not the type of work that you want to be known for. You would like to change, but simply can’t seem to motivate yourself to try something new, and would much rather stick to the beaten path. But if you genuinely want to find your passion for wedding photography once again, you need to step outside that comfort zone and experiment. What’s the worst that could happen? No, seriously. Consider the best and the worst possible outcomes of doing things differently. Hint: it’s always worth trying out something new, if only for the sake of the experience.

Step #3: Kick back

Take a break from work. Drive off a few hours away. Be with yourself and no one else for a few days. Learn to unwind and enjoy your own company.

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Think you can’t afford that?

That’s a fair issue. If money is standing in your way to relaxation, then work your way through this problem. Price your shoots better and as soon you’ve got some money saved to take a short break away from work, do it. You’ll thank yourself for it.

Survivor’s Guide: How to Sell Your Photography in the Digital Age

sell-your-photography-in-the-digital-ageIf you’ve been in the pro photography business for at least a decade (or even several years), it most definitely hasn’t escaped you how much the business, industry, and, ultimately, the art of taking pictures, have changed during this time. Hark back in time some more, if you will, and you’ll note that the changes that photography has undergone over the past century are unlike those of any other medium. Back in the early 20th century, having your picture taken was a rare and momentous occasion; nowadays, everyone and their grandma is packing enough technology in their pocket as to take a photo anywhere, at any time. So, can you still sell your photography in the digital age?

The short answer is “more so than ever”. The long one is, of course, more complicated. On the one hand, with the multitude of apps and digital editing software available out there for one and all, the pro photographer nowadays is almost obligated to keep up with the digital Joneses. On the other hand, it is this very evolution of the digital realm that has brought up a whole new world of opportunity for professional photographers. To this end, in the following we’re listing some good tips to sell your photography in the digital age.

Know how to price yourself

It’s easy to fall into the trap of devaluing yourself, on today’s competitive digital photography business scene. However, it does a lot of harm to sell yourself short, both to yourself, as well as to your fellow photographers. Set your prices, make them reasonable but sustainable, and make sure you stay firm for the long run. Like with everything else, if the work you put out there is good enough, then pricing issues will become secondary for the buyer of your services.

Sell your photography in the digital age as art

You may be a wedding photographer, a travel photographer, or just about any other kind of photographer – the important thing to remember is that you are, first and foremost, an artist. It doesn’t matter that others out there are choosing to market their technical skills. If you genuinely want to sell your photography in the digital age, you will quickly come to the realization that it’s not the technical skills that will help you sell. That’s because those skills are finite: you can only improve them so much. But your ‘voice’, your own unique visual style, your trademark and signature, is something that will help you position, market, and ultimately sell yourself.

Improve your skill

That being said, don’t rest on the laurels of your career years past. In this field, much like in any other one that has anything to do with art, it’s important to stay in the loop. This is all the more true nowadays, with the digitally native generation of photogs coming up fast from behind. That being said, there are plenty of workshops out there from which you can benefit – at the very least, by learning from those more accomplished than you, you’ll also get the opportunity to network with them. At the same time, you’ll meet up-and-coming new talent and learn about new techniques you might not have been previously exposed to.

Find your niche

There is absolutely no shame in being a niche photographer these days – quite the contrary. Haven’t you noticed how profitable a business stock photography is, for instance? The knack in this sense is to get a feel for what the audience wants, be it wedding photography, or any other segment, and to develop a sense of upcoming trends. As long as you get that down to pat, chances are you’ll do just fine and manage to sell your photography in the digital age.