During the past few years, the recession and economic turndown notwithstanding, it’s become ever clearer that event photography in general, and wedding photography in particular, have turned very competitive. It’s not just the fact that money is harder to come by generally speaking – there are now more hobbyists turning pro than before, since (semi-)professional DSLR cameras have gotten more affordable and accessible to handle. So we though a guide of best practices for wedding and event photography was in order, which is why we’ve collected some of the most essential advice on this topic that we could find on the web. Check it out and let us know if you think anything essential is missing from our list.
The selection is up to you, not the client
Events (and weddings in particular) are occasions for shooting non-stop. You fire away and, before you know it, your memory card is filled and you’ve got hundreds of photos to choose from. Curating the entire raw material and selecting the best photos might sound like a drag, a bore, and a chore, but you still need to do it. It’s up to the artist to select their best photos and present them to the client; allowing customers to wade through dozens of blurry, out-of-focus or otherwise inadequate pictures is entirely unprofessional.
Market yourself with deadlines
The above principle might sound counterintuitive, but it’s all about marketing your photography business properly in the digital era. You see, the Internet is altering purchasing mentalities as we speak – clients are much more prone now to put off a buying decision. However, with the right attitude and best practices for event and wedding photography, you can counter that. Set a deadline for yourself, create a special offer which expires after a certain date, and watch how your clients respond. Chances are many of them will react to this sense of urgency.
Business is business
Among the best practices for event and wedding photography is the fact that you need to remember you’re running a business. Sure, you may have gone into photography because it was fun, enjoyable, and you are passionate about it. However, at the end of the day you still have bills to pay, a studio to maintain, and equipment to purchase. Tailor your products and service cost planning according to your financial needs. Understand your market segment: take a good look at what sells and what doesn’t and always keep improving.
Photography is, to a large extent, a people-oriented field. If you work exclusively in non-wedding event photography, you probably already know how important it is to create a good relationship with your returning customers. The same applies for wedding photographers that regularly collaborate with a particular MUA, wedding planner, or wedding planning agency. So, what’s the best way to hone a successful professional relationship? It’s as simple as being personable, sociable, and friendly. Get people talking about you. Create word of mouth and work consistently toward building a reputation.
Looks like a pro, walks like a pro, talks like a pro…
Don’t dismiss the final item on our list of best practices for event and wedding photography as superficial. It’s important to present yourself as a professional photographer whenever you come into contact with (potential) clients. This means keeping your gear in good shape, having business cards prepared, and pitching your business – but not excessively and ad nauseam. What you want to achieve is to make (potential) clients understand that they need you. You will want them to seek you out, not the other way around, so do your research on trends, take part in wedding expos, and put your best foot forward, both in terms of professional attire, as well as in terms of professional portfolio.