How To Take An Engagement Portrait They Will Love To Buy

A while back I gave a few tips on how to take great engagement portrait sessions, and concentrated more on how to use them within your studio for larger sales.

An engagement session isn’t like a typical family portrait. An engagement session is actually designed to be so much more. It’s designed to introduce the couple to your services. And it’s also designed to get the bride and groom excited about being together, and sharing their love with the world.

I remember when Andrew and I had our engagement photographs taken. It was a standard session in studio, smiling at the camera, without much glamour and romance.

So when we moved into wedding photography, we set aside the traditional portraiture, and created a new way to view engagements. In fact we didn’t even call it engagement portraits. We called it Love Portraiture, and it was designed to celebrate the love a couple felt about each other.

What Do They Love?

Every couple has a unique aspect to their love. And they are always happy and excited to tell it to you. Ask them a few questions. [Read more...]

How To Turn Boring Wedding Photographs Into WOW Images

I was looking through a well known magazine this week, and they had a special section on weddings. Being in the industry for so long, I flipped immediately to the section to see what was new in the world of weddings. And right there, front and center on a two page spread, was an unbelievable photograph. And I don’t mean “unbelievable” in a good way.

As wedding photographers for some of the most high end weddings around, we quickly learned what worked – and what didn’t. There is a definite art to wedding photography, and the better you get at it, the better clients you can attract.

What this magazine was showcasing as a great image (they must have thought it was great, why else was it so large?) I considered to be very not so great. So I started thinking about what makes wedding photography great; and not so great. And I came up with a few things that will take your images from “yawn” to “WOW”.

Firing Squad

You have 6 bridesmaids, 6 groomsmen, and a bride and groom. What do you do? Line them up of course, guys on one side, girls on the other. That’s what many do; I guess it seems the natural thing to do. That’s how they stand during the ceremony, right? Yet this gives you no perspective, and creates what we term “a firing squad” image with everyone standing straight in a line.

Do something different. Instead of grouping guys on the right, girls on the left, ask them to partner up with whom they walk down the aisle with. Mix if up a bit. Use stairs, a bridge, a path or a chair. Stack people, place people on the floor, kneel down, or join in a group hug. If you do something fun, they’ll look like they are having fun. You’ll mix the color, and it won’t be a “boring” shot.

Fig Leaf

I bet you knew exactly what I was talking about when you read the title. Guys automatically pose with their hands together in front. Its what we always refer to as the fig leaf shot.

The easiest way to get guys NOT to do the fig leaf shot is to tell them about it and give them options. You can place your hands in your pockets, down by your side – anything but the fig leaf shot. They will laugh; and you won’t have another fig leaf shot the rest of the day.

Look For Angles

It’s easy to have a bride and groom stand together at the alter, and shoot a boring image of them in a typical pose. That’s what is expected. But if you start looking around the wedding and reception area, things come to life. How can you incorporate more into each photograph? Why did they choose this location? How can you make it a part of their day?

Look For Action – Reaction

These are the images I really love. How can you look at things from many perspectives? Sure you can grab one shot of cutting the cake, and one shot of feeding cake to each other. But how about focusing in on the hands? Or the cake with one piece cut out of it? Or the mom crying behind you, filled with emotion? If you have two photographers, you can capture even more angles. But even if you have one, don’t stop shooting during important times. Position yourself in a great position. Get what you need – the cake cutting – then start turning around, capturing everything around you. You’ll be surprised at the reactions you get.

How Do I Become An Event Photographer

This post is Day 20 of 30 Ways In 30 Days To Redesign Your Life With Photography. This series seeks to provide you with practical steps to get you from wherever you are today, to exactly where you want to be – this year! If your goal has always been to take your photography to a whole new level, hang on and start enjoying a new lifestyle you’ve always dreamed of.

What makes event photography different than other types of photography? What does it mean to be an event photographer?

It simply means you specialize in capturing images at special occasions. It can mean:

  • Weddings
  • Corporate functions
  • Bar/bat mitzvahs
  • Quinceaneras
  • Birthday parties
  • Sporting events
  • Anniversaries
  • Horse shows
  • And everything in between

Even within the few items I’ve mentioned above, you can start seeing a ton of possibilities. Hopefully you’re also seeing a wide variety of different types of clientele; which means even in event photography, you can specialize.

Over the past few days, we’ve been covering the idea of specializing, and why it’s so important to really focus on what you want to do. This post is in my 30 Ways series because when people mentioned event photography, it was usually associated with one thing.

One reader mentioned she’s done a few Quinceaneras and would love to do more of them within her family portrait business. One reader mentioned her love of horses and her desire to spend more time within that community. Still another talked about his love for weddings, and his desire to take it to an entirely different level.

While you may love working events, there is a huge difference between working with horse shows, and photographing weddings. Different clientele. Different vendor sources. So specializing is just as important here as it is overall.

Find The Resources

Like every niche, it’s important to pinpoint the right resources for you.

If you want to focus on horse shows, what shows are in your area? What stores cater to horse ranchers? What schools are training tomorrow’s stars?

In today’s world, you have one invaluable research tool at your disposal – the Internet. Spend a half day researching all you can within your community and within your specialty. Then start visiting your resources.

If there is a local magazine that is delivered to ranchers, get a copy. If there is a horse show coming up, visit. And if there is a school nearby, request a meeting with one of the directors. Learn all you can and store your information for future use.

Also realize that even with one type of event photography area, there can be many options.

For example, if you have a desire to photograph weddings, do you prefer the David’s Bridal mentality, or the Vera Wang? I talk about this in detail in a recent post Ways To Control The Wedding – A Photographers Guide To Becoming A Wedding Planner. Different ends of the spectrum, and you need to approach each in an entirely different way.

Target Your Marketing


After you learn all you can, then its time to create your marketing, and focus in on your exact clientele.

Keep in mind that some communities are very tight knit, and they rely strictly on referrals. It may take time to get in “the circle”, but once you do you have a wealth of opportunity. Don’t give up easily. It took us years to break into certain groups. But if you’ll be doing this for the next 10 to 15 years, what is a couple of years to get in with the right group?

We found that to be true with the high end wedding market, and with the bar/bat mitzvah market. Because of their personal needs and desires, both groups rarely went looking for the right vendor. Instead, they relied on one main source – the planner – to make the right choices for them. So the goal became to get in with the right planners, and leave the rest to fall in line.

While it’s important to have a dynamic web presence, it’s also important to have other collateral as well. However I can’t tell you how many boxes of business cards and brochures we’ve thrown away as our ideas change with time.

After several years of throwing away boxes, I found a simple solution.

I began building folders for my portfolio and marketing kit, and personalizing them for each client.

I started by selecting my favorite images showcasing a variety of ideas, and created a series of professional postcards. By creating postcards, you can use them for many things, including marketing kit material, and as greeting and thank you cards.

Then I would print off price lists, client referrals, service and package materials right before I met with a client, and weave them into the folder. With a variety of postcards to choose from, I could select the most relevant to the incoming client, and include that in their package.

This worked great as we built up our portfolio. A bride would love it if she saw a beautiful image located in the same reception site she was considering. It gave her ideas, and motivated her to want to use us as her wedding photographers.

People love experience, and they love suggestions. If they know you are the expert, and you’ve handled situations just like they are considering, you slide quickly to the top of their list.

Ask For Referrals

Even though people love experience, they also realize you have to start somewhere. If you are new to event photography, passion will help you create your business.

Start with your first resource, and ask them to give you a chance. Instead of doing a large, expensive event, is there something you can do that’s lower key to prove your expertise?

While a once a year rodeo that makes a million dollars for charity may not be a viable first choice, chances are there is a smaller horse event for young children at your local ranch. If you’ve met with the owners/managers, will they give you a try?

Create flyers for the parents, and advertise as much as possible. Then go above and beyond, building for your portfolio.

Don’t forget to thank the owners – provide them with a selection of images either mounted and framed or in an album.

Instead of focusing in on the end purchaser – a mom that buys a few images at her child’s event – focus on your referral source. A child may move on from a horse show to soccer to dance over a few year period. But the horse trainer or riding school will be in business long term, gaining new client after new client.

They are the one’s that will help keep your calendar filled.

And they are the one’s that can help you bring in thousands of dollars, especially over months or even years.

So that’s where you put your time and energy.

Keep your clients happy, and your referral sources ecstatic. And your business will thrive.

Ways To Control The Wedding – A Photographers Guide To Becoming A Wedding Planner

Over the years, we’ve photographed hundreds of weddings. And when it comes to planning the wedding, there are two kinds of brides.

Cinderella – the type who takes control over every detail, planning day and night until the big event.

The Queen – She’s busy and relies on others to plan for her. She puts in her requests and lets a planner narrow down the choices. Then she makes final decisions.

Cinderella

Because Cinderella brides don’t rely on a planner, they go into their wedding day with high expectations and little direction. Because they’ve never put on a wedding before, they don’t have any idea how long an event should last, or how to structure the individual pieces of the day to make it run smoothly. In essence, they are lost the entire day, letting people control them as they move along.

With a Cinderella bride, you have to step in immediately, or risk being at the event many hours that day.

The easiest way to control a Cinderella bride is to gently make suggestions. Explain that you have photographed dozens or hundreds of brides, and know how to keep guests happy. Never put it back on her – tell her you know how to keep the party moving and exciting for each of her guests. She’ll quickly rely on you as the planner.

Then make suggestions.

[Read more...]

Wedding Add On – Create your Own Magazine

Imagine a four color magazine with your client as the feature. From beginning to end, you use your images to create the story of their day, showcasing your portraits in a storybook fashion. No printing the magazine on speculation – you place it online, allow people to preview it, and make money when they order it.

And if there are 50 guests that place an order, at $20 a magazine, that’s an extra $1000. [NOTE: you can charge any fee you like, and you do have expenses related to the service, so your total sales will vary]

Sound good? Then take a look at MagCloud, a company that allows you to create and publish four-color magazines on glossy paper, any size you choose as long as it’s in increments of four.
[Read more...]

Weddings By The Percentages

The average wedding today here in the US is right around $20,000. While everyone has their own tastes and preference, averages show a couple will spend their money in the following way:

  • 51 percent on Reception, including reception hall, catering, cake and alcohol
  • 10 percent on Photography
  • 8 percent on Videography
  • 9 percent on Ceremony
  • 7 percent on Attire
  • 6 percent on Rings
  • 4 percent on Flowers
  • 3 percent on Music
  • 2 percent on Limo and transportation

So if a bride is planning a $20,000 event, she’s expecting to pay around $2,000 for her photographer at the average point. Some will like photography more, and be willing to bump that figure up, and others will obviously bring that down, going more for the show than the memories.

The important thing to remember here is if you only charge $250 or $500 for your photography, a bride expecting $2000 will wonder “what’s wrong with this photographer?”

And if you are a photographer and a bride comes in wanting to spend $250, she may just need a little education into why photography costs what it does. It isn’t about how much it costs to print up a few pictures – that can be done at your big box store. What costs is knowledge of the camera, knowledge of lighting, how to handle bridal stress, the cost of running a business, being properly insured, etc. Educate your clients on the costs of photography, and you will quickly be able to raise your prices.

7 Tips To Be A Photojournalist At Your Next Weddings

If you look up the definition of a photojournalist, you’ll find it to be:

A journalist who presents a story primarily though the use of photographs.

It’s all about the story. It’s not about a few great portraits. It’s not about a selection of images selected and put into an album with no regard to how they fit together. When it comes to being a wedding photojournalist, it’s all about capturing the true emotion of the day through the use of photographs.

Here are 7 tips to becoming a better wedding photojournalist.

1. Be Unobtrusive
In order to capture the moment as it happens, you have to let it happen with no assistance from you. Learn to blend into the crowd, or hang out on the perimeter. When you arrive at your location, tell people to ignore you – you are there to capture things as they happen. If you don’t talk, and hang back, they will quickly follow your advice, and act out their true emotions and feelings. Allowing you to become that much better at your job.

wedding photojournalism

2. Dress The Part
Do you use two shooters? During some of our first weddings, I would actually wear dresses in a variety of colors. When I got the photographs back from one wedding and discovered my magenta dress stood out in many of the images, I bought a black pantsuit and never looked back. Dressing in black means you can blend into the surroundings, hide and be camouflaged, and be unnoticeable even when you happen to be in a few images. And being in pants means I can climb, bend, and crawl anyplace, anytime, without worrying about how it looks.
[Read more...]

Wedding Photography: It’s Not About Taking The Pictures, It’s About The Ultimate Experience

It’s confirmed. After chatting with many of today’s top wedding photographers from around the world, two things are certain.

1. Wedding photography is not dead.
2. It’s not about the output; it’s about the experience.

With the economy down, and many, many photographers hitting the streets trying to make a quick buck by shooting a few weddings on the side, its easy to find a photographer that thinks wedding photography is a dying industry. After all, why would any bride pay a few thousand dollars to have her wedding photographed – and not receive the digital files in the process – when she can find a ton of photographers willing to give her exactly what she wants?

Wedding Photography Experience

image source

As a professional photographer, you have to think beyond this line of reasoning.

A bride only knows what to ask for because of what her friends have received. And what the industry has trained and conditioned for. She’s actually looking for someone who can provide more – give her a better product and more service. But if she can’t find it, she plods along asking what she’s been trained to do.
[Read more...]

Leave the Professional in Professional Wedding Photographer

Is there a difference between an amateur and professional wedding photographer? Definitely.

It’s one of the most difficult forms of photography there is. You have to know how to shoot in all conditions, at all times, and with many expectations.

This video shows why its so important to know what you’re doing if you are a photographer, and to hire the best if you are a bride. When even the judge knows more about photography than the photographer, you know you have a problem.

3 Ways To Price and Package Your Wedding Photography To Stay In Business

I’ve been reading a ton of rants this past week on the state of wedding photography, and whether a photographer can truly have a full time business photographing weddings. Those of us that have “been there, done that” know its more than possible – I routinely pulled in $250,000 and more each year photographing around 25 weddings. Yet those consistently charging “nothing” for their services are turning the industry into something that makes it difficult to earn a full time living with.

So in this post, I thought I would share 3 tips to help you price and package your wedding photography better, and hopefully answer many of the questions I hear every day when it comes to selling your services.

1. Quit confusing your potential customers.
I randomly chose a wedding photographer out of Google (I see the same type of wedding packages everywhere) – here was his pricing structure.

Wedding Package 1pricing and packaging wedding photography

  • Up to 5 hours of photography.
  • Over 200 4×6 professional prints plus the same images on copyright-free CD
  • 11×14 Portrait Print – choose any image from your wedding photos
  • Choose $50 in additional prints
  • Online gallery of your wedding photos to share with friends and family worldwide.

Wedding Package 2

  • Up to 5 hours of photography.
  • Over 200 images in print and on copyright-free CD
  • 20 page 8×8 or 8×10 album
  • 11×14 Portrait Print – choose any image from your wedding photos
  • $75 in additional prints
  • Online gallery of your wedding photos to share with friends and family worldwide.

Wedding Package 3

  • This package includes six hours of shooting time on your wedding day plus a 20 page custom designed album.
  • 6 hours of photography.
  • Mix of color and black and white, creative effects.
  • 250+ professionally processed wedding photos, in print and on copyright-free CD.
  • 20 page custom wedding album – all prints on archival quality Kodak Endura Pro Paper
  • Album is top quality, elegant and built to last a lifetime.
  • 11×14 Portrait Print – choose any image from your wedding photos
  • $100 in additional prints
  • You wedding album is displayed online as it is created so you can comment on it as it is designed

[Read more...]