Wedding Photography Mistakes You Need to Avoid  

Weddings are serious events. So, if you are not actually a professional photographer yet but still want to venture in the vast world of wedding photography you need to keep your eyes open for some pieces of advice.

Here you will find some of the most common photography mistakes you need to avoid if you want to master the art of photography.

This list will include mistakes from both the photographer and the soon to be married couple’s points of view.

Wedding Photography Mistakes

Wedding Photography Mistakes From the Photographer’s Point of View

1. Not Knowing your Gear

It is very important to think ahead when it comes to any sort of serious event you are the designated photographer at. Always make sure you have a plan B when it comes to your equipment. At a wedding, you are usually set with having two cameras, a tripod and a couple of different lenses. This way, even if one of your cameras malfunctions or runs out of battery, you will not lose precious time and moments charging your camera or not being able to replace it.

Another problem is having expensive equipment and not knowing how to use it. Take your time to find out every little function your camera is capable of. A wedding is not exactly the right place to see what a new setting on your camera does.

2. Poor Exposure

Poor exposure is always a problem when it comes to big objects in a light color. You big, white object at a wedding is the bride’s wedding dress. You certainly do not want all of your shots with the bride to appear like someone sank in a large white mass, this is why you need to play around with the exposure.

An exposure set too high will make the bride’s dress look like its glowing while a too underexposed picture will make shadows look noisy and the white looking grey. Given the fact that you have a light dress to shoot, you can use a slight under exposure to capture all the shadows casted on the bride’s dress and a little underexposure can be edited fairly easy after the photoshoot.

3. Lack of Experience

Do not let anyone talk you into becoming the main photographer at an event if you are not sure that is what you want. Let’s say your best friends in high school are about to get married and they are almost forcing you into becoming their photographer even though you haven’t shot any weddings prior to theirs.

A wedding needs one of the happiest events in the married couple’s lives so do not consider the task of being a wedding photographer as easy. If you are not 100% certain you will be able to end the task successfully, offer your services as a secondary photographer, experiencing with different angles and details and let a professional photographer take the blame if the photos are not good enough.

4. Focusing too Much on the “Best Shot”

If you want your wedding photographs to really stand out, do not spend way too much time on taking the best shot of the married couple. Usually, a couple who wants beautiful wedding pictures with only the two of them will arrange a private photoshoot where they can focus on being with each other.

At the wedding, you need to capture moments rather than people. Group photos where half of the people are looking at your camera while the other half is looking on other cameras are starting to get really annoying. Focus you attention on how the wedding goes on and mark the most special moments with photographs of the soon-to-be married couple, their guests and also some their designs.

5. Choosing JPEG Format

You need as much detail as possible, especially when it comes to wedding photos. Most of your photos will most likely need some touch ups after the wedding so why not take advantage of you gear properly? Instead of choosing to shoot your pictures in a JPEG format, choose the RAW setting.

Wedding Photography Mistakes

From the Bride and Groom’s Point of View

1. Lack of Communication Between You & Your Photographer

Do not expect to find someone who will know exactly what, when and how to shoot right from the start. In order to get the best out of your wedding pictures you have to have good communication with your photographer.

Try pointing out what you actually want to see in your wedding pictures and what you expect out of all this wedding photography experience.

2. Not Finding a Focus Point

Do you want two dozen pictures with the two of you in different moments or do you want a collage made with pictures of your family and friends? Sort out what your photographer’s focus point should be, this way if he or she messes up, it will not be because you weren’t sure about what you wanted.

If you have ideas regarding what colors should be predominant or how you want the pictures to be taken, do not be afraid to share them with your photographer.

3. Details are not that Important

Thirty years from now, when you will be looking through your old wedding pictures you would have probably already forgotten what colors the napkins where or how uncle John spilled an entire bottle of champagne on aunt Mary. Photographs are special moment frozen in time, take advantage of them as much as you can.

Details and small moments are what you will remember from your special day so do not consider them less important.

4. Not Making Eye Contact

If you will constantly pose whenever you see the camera in your vicinity, you will automatically have dozens of dull pictures. Through posing you eliminate any trace of real emotion and you will constantly be distracted by the camera.

For your pictures to look as natural and as great as possible, always maintain a natural look and be spontaneous even when you see someone taking a picture of you.

5. Not hiring a Professional {Photographer

You may think you know enough about photography to trust your wedding photos in the hands of a beginner or a friend’s but without having some special training or experience in photography, you will most likely be disappointed of your photographer.

Although a professional photographer may be expensive and you might not consider him necessary, you will definitely love him after you see the actual pictures.

Wedding Photography Tips for Beginners

wedding photogaphy tips 2

So, you’ve made the big step! The big step being photographing weddings, of course. We’re here to provide you with some basic wedding photography tips that will help and guide you on your photography journey. Wedding photography is not easy, but it sure is beautiful; you’re helping create a piece of history that a group of people will forever cherish and remember. There are some wedding photography tips and tricks you need to keep in mind before you press the shutter button, so here are our wedding photography tips for beginners!

Before we begin, let’s take a look at the three wedding photography DON’Ts that every beginner should be aware of.

DON’T Use Stupid Props

The bride and groom aren’t the bosses, no matter how much they like to believe that. If they want you to take a photograph of them holding a shotgun, insist on how bad of an idea that is and if you don’t get through to them, simply refuse. We know it’s good money, but do not compromise with certain things, such as stupid props.

DON’T Let Relatives Get in the Way

No matter how unique and special some weddings are, at the end of the day, all weddings are the same and the following thing will happen: some relatives will get drunk and will want you to photograph them extensively or even worse, they’ll ask for your camera. Decline as swiftly as possible and try to avoid letting relatives get in the way.

DON’T Upset the Bride

The entire wedding is all about the bride and groom, or the bride alone. Brides love to be in the center of attention, so they will do pretty much everything to achieve their goal and that includes bugging you, the photographer. Try to be as diplomatic as possible, follow the bride as much as possible and don’t upset her. If she’s asking for something that you, as a photographer, cannot provide, then explain that to her in a calm manner.

With that in mind, here are some quick wedding photography tips for beginners that will guarantee your success.

wedding photogaphy tips

Redirect Your Light When Shooting Indoors

One of the most important indoor wedding photography tips is to redirect your light when you shoot indoors. It needs to bounce off the walls, so use a flash unit, umbrella or at least a Lightscoop. When shooting wedding photographs, everyone needs to come out looking great, so do whatever it takes to make that happen. Lighting is the most important aspect, start there.

Shoot in RAW

One of the best outdoor wedding photography tips you could ever get is to shoot in RAW. Almost everything can be fixed if you shoot in RAW: lighting can be fixed if you shot in RAW, as well as shadows and highlights, but remember that focus is the only thing that cannot be modified. When you shoot in RAW, you save the most information possible of the photograph taken, which makes it easier to fix flaws when editing. RAW photographs are huge in size, so make sure you have enough space on your SD card and one as a backup.

Ask Ahead if There is a Theme

You might not think this is important, but asking ahead if the wedding has a theme is really vital to getting great shots. It gives you the time and information you need to know before assembling your camera, lenses and gear. Shooting at the beach requires different tools from what shooting at the wedding reception at night does. An Indian wedding means lots of bright colors, which you should be able to capture perfectly.

Hope this helped, good luck with your wedding photography!

5 Maternity Photography Ideas for Expecting Clients

Becoming a mother is a special, special time in the life of a woman who chooses to walk that path. As cliché as it might sound, women who want a child and manage to become pregnant with one are truly experiencing a touch of the miraculous in their lives, and expecting couples are often so touched by this experience that working with them as a photographer can be the source of great inspiration. It is very often that these couples – or women – want to immortalize the special time they are currently experience through a beautiful photo shoot, and this is where you come in. If you take these few maternity photography ideas into account when you get contacted by expecting clients, the results will surely make them happy, and make you a better photographer in the process.

1. Combine the maternity photography niche with the boudoir photography niche.

1

Sometimes, the altered body appearance of a pregnant woman is the main thing which she wants to immortalize in the special photo session, and posing semi-naked for it almost comes naturally. Although for most photography outsiders, the ideas of maternity and of boudoir photography don’t mix very well, in professional practice they mix perfectly, and quite often (as we’ve shown you before in a post about boudoir photography). If you think about it, it actually makes perfect sense: a woman who wants to document her journey with professional photographs wants to beam with joy over her swollen belly, but wants to feel feminine and attractive too. Therefore, nude or semi-nude photos (perhaps just with a silhouette) are one of the best maternity photography ideas ever.

2. Make the belly important, but don’t make it your sole focus.

Styled maternity session at the Propel Workshop 2013

One of the most common novice mistakes when it comes to experimenting with maternity photography ideas is making the belly the main focus of each photo. Sure, the unborn baby is sort of the main point of the shoot, but if you center your photos on it, all of them will end up looking the same, and you will have missed other crucial aspects which should have been captured. Try alternating the focus and concentrate on other things like the people’s facial expressions, how your props are making the whole setting change and so on. Speaking of props, when shooting indoors in your studio (though it shouldn’t be a must, as we’ll develop further on later), some of the best maternity photography ideas include using unlikely pieces of furniture for comfortable poses. If the woman feels very comfy in an armchair, try creating the same pose with her in a kid’s wagon, for example, and so on.

3. When photographing couples, make the other partner feel important as well.

Butter Media Inc.

Another potential mistake you could make is to overlook the other partner or make them just a supporting character within the photos. Maternity photography ideas should be more than simply photographing the pregnant woman with her partner behind her and holding her or her belly. Ask them to play around until you find the potential for something funny, like the partner’s surprised facial expression being the focus of the photo, right next to the pregnancy itself. In real life as well as in photographs, the non-pregnant partner of expecting couples can sometimes feel like the third wheel, and it’s part of your job to counteract this effect in the photographs and make everyone feel like the united family they are.

4. Help your subjects relax and feel attractive.

4

Keep in mind that your subjects are not only non-professionals who don’t know how to pose and how to not get tired by it, but they are also pregnant women who may have some trouble feeling attractive during this delicate time. The better they feel while posing, the better will the photos be, so do our best to help them feel relaxed, to prevent exhaustion and to keep their spirits up.

5. Don’t settle for classic poses and try something creative.

5

Your first two or three couples who come to you for this kind of photos may challenge you enough just by requiring a classic maternity photo shoot, but after you become a bit more experienced in the field, you will soon notice how all studio photos will start looking more or less the same. After gaining a steady hand, try a more creative approach. Your artistry and your customers will both have to gain from the fresh view. For example, go outside the studio: try shooting the photos on the beach, if conditions will allow it, or simply somewhere outdoors. Some of the most creative maternity photography ideas we’ve seen around often involved being outdoors, so don’t be afraid to experiment. Have fun and good luck!

5 Sensible Ideas for Couples Boudoir Photography

During your career as a photographer working with people, if you manage to successfully transition from doing this as a hobby to becoming a pro, you will be approached by couples quite often. When two people feel happy together, when they are at the beginning or when they have simply reached a new relationship milestone, it is quite often that they want to celebrate that feeling by commissioning a series of couple photography. But on that note, you shouldn’t be surprised that sometimes they want to try couples boudoir photography, since it’s one of the most popular commercial trends of the present. It can’t be all wedding photography or classic portraits; but on the other hand you shouldn’t feel queasy about it: boudoir photography is by no means erotic photography, which is much more explicit or debatable. To prepare a bit for the time when you’ll receive a request like this, here are 5 sensible ideas for couples’ boudoir photography to achieve the ideal balance between enticing and tasteful.

1. Combine the niches of boudoir photography with maternity photography.

1

Sometimes, pregnant mothers want to contract a photographer to help them immortalize their new bodies in a beautiful light. It is a way for them to feel beautiful at a time when their bodies are going through miraculous and tremendous change, and you need to be highly imaginative as a photographer to be able to capture the exact angle that will produce a suitable photo. The final result must be neither too revealing or overtly sexy, nor too abstract, as if you don’t want to show the body at all, nor focusing entirely on the belly. The good news is that if you get this right, your client will love it, and you will add a very desirable niche to your portfolio.

2. Use lights and shadows to highlight only one area or shape of your subjects’ bodies.

2

When photographing bodies in a delicate and non-overtly erotic manner, the play of lights and shadows can be your friend. In the example above, the shadows help make the photo not too explicit, while the lights make the contours stand out in an alluring way. Tasteful boudoir photography can be easily achieved through light and shadow play, so it’s a trick you should keep in mind for every such photo shoot.

3. In couples’ boudoir photography, your people skills must be extra sharp.

3

Brushing up on your people skills to make sure your subjects are relaxed enough to pose and to also prevent their exhaustion is an important part of any kind of photography work, but in the case of boudoir photography, perhaps it is even more so. A person’s body is the thing they often are the most self-conscious about, and it is your job to make them feel as relaxed and comfortable as possible. They must feel so throughout the photo shoot, and the results have to make them feel beautiful. Perhaps a talk with your subjects about the body parts they feel most self-conscious about or the body parts which they are proud of and would like to bring into focus can prove itself useful, if you are as tactful about it a possible.

4. Try shooting the photos from partially concealing angles.

4

If you manage to tactfully find out what areas of their bodies your clients are comfortable with and what areas they would like concealed, you can use this as a guide. If there isn’t anything to be concealed for this reason, then just try to follow this rule of revealing something and concealing something else, in order to make sure the final result is tasteful and just slightly erotic. In couple’s boudoir photography, you have to deliver a result which will make your clients happy with their decision of posing for you even after a long while has passed.

5. As much of a cliché as it sounds, focus on the feeling of the overall setting than on the bodies per se.

5

The décor is very important in couple’s boudoir photography, as it will set the whole feeling for the entire series of photos. Not only will this feeling be visible to the viewer of the photos, but the subjects themselves must be successfully be immersed in it to relax properly and glow. This setting includes not only the objects in the room, but also the way you choose to frame the image you want to capture.

If you manage to apply these few ideas for couples’ boudoir photography, your clients should feel very happy with both the shooting experience and the results of your work, and your reputation as a reliable photographer will have nothing but to gain from it.

The Best Photographers We’ve Encountered Online in 2013-2014

Talking about something as definite as “best photographers “ can be more than a little bold, if truth be told, since the visual arts in general and photography in particular are so highly subjective that picking absolutes is impossible. But since we’re not claiming to choose the best photographers of all time, but only a few select ones which caught our eye since last year and the months that passed from this one, we dared to give it a go.

1. Davina Palik and Daniel Kudish

1

This couple of photographers, based in Montreal and Ottawa, specialize in wedding photography, taking beautiful pictures of couples around the world on their big day. Although wedding photography seem to be a field where you can’t improvise all that much, at least not in a completely innovate or shocking way, these two are some of the best photographers out there precisely because they can demonstrate the contrary.

Take a look at their superb portfolio here and see for yourself how fresh wedding photography can actually be with Davina and Daniel behind the camera. We especially love the occasionally funny moments captured, because one rarely gets to see something funny and romantic at the same time.

2. Spencer Murphy

2

For the portrait photography niche, our favorite is Spencer Murphy, one of the best photographers in Britain, in our humble opinion. We especially like the serious air of his portraits, because sometimes, there’s just more to the realm of photography themes than autumn foliage (not that there’s anything wrong with being into that). Pictured above, you can admire the portrait of a female jump jockey right after the jump (part of a wider series of specialized portrait, which won him impressive awards).

You can take a better look at this photo series of his here.

3. Rafael Marchante

3

This brilliant photographer from Portugal has reached a famous professional status on numerous websites after this iconic photograph of his was widely distributed in the aftermath of Nelson Mandela’s death. He managed to capture the spirit of the African leader’s legacy in a unique photograph of a well-made graffiti that was serious and playful and full of great impact all at the same time. His niche is taking pictures of seemingly banal street situations and homeless people, as opposed to most of our visitors who are mostly taking pictures of clients, but his images are a great inspiration nonetheless.

Take a look at his Facebook page here to browse some of the most amazing portraits you’ll ever see.

4. Camilla de Mafei

4

This brilliant Italian lady truly deserves a spot in the best photographers of recent years. Her work is hard to put into just one box, as she seems to move effortlessly through landscape photography, sad and eerie portrait photography or still life shots.

Her official website, where you can browse more of her photos, is here.

5. Michael Roud

5

One of the best photographers of Los Angeles, Michael Roud isn’t exactly a recent entry in the field of famous photography, but his works remain so edgy and impeccable that we couldn’t finish this list without him. Mostly into headshots (but also into wedding photography), he also impresses with his work as a director and with collaborations with celebrities. The one certainty about the work of this incredibly talented guy is that getting photographed by him is certainly an honor and privilege.

His official website and portfolio can be admired at will here.

These were, according to us, the best photographers of the recent years which you should check out every now and then for an inspiration bonus. All in all, there’s no improving your own skills without also getting familiarized with the work of as many photographers as possible, and they might as well be worthy of the attention.

5 Ways to Deal with Bad Wedding Photos

It’s another one of those photographers’ nightmares that everyone has to deal with, sooner or later in their career. It usually tends to happen to beginner wedding photographers: you shoot the wedding, spend tons of time editing the pictures, then, one day, you get the dreaded call. The client hates your work. They are disappointed with it. They may even ask for their money back. What do you do? How do you deal with bad wedding photos? Here are 5 tips from actual wedding photographers, with enough experience in their portfolios to be speaking with the best of intentions.

deal-with-bad-wedding-photos

1. Don’t dwell

This is the most important step in learning how to deal with bad wedding photos, unless you want to end up too scared to ever pick up a camera again. The past is in the past and you can’t reshoot a wedding. You can analyze what went wrong, enlist the aid of a very skilled photo editor and try to do as much damage control as possible. However, at the end of the day, all you can do is learn from your mistakes (as everyone does) and move forward.

2. Analyze & acknowledge

Perhaps the conditions in which you shot the wedding were harsh. Perhaps you lack the experience to handle the weather, the light, the temper tantrums thrown by the wedding party, or anything else. Maybe your compositions are bad. Try to pinpoint the causes, in order to deal with bad wedding photos. Understand what went wrong, but make sure to be as objective and detached as possible. It’s actually a good idea to sit down with said ruined set and a trusted fellow photographer and ask for their opinion. A second call could be what you need, in order to prevent you from doubting your professional abilities altogether.

3. Pay up… or not

Sometimes, when you are forced to deal with bad wedding photos, you must simply understand that some clients are out to get their money back. Nothing you say or do will feel like compensation enough for them, before you pay up. You can comply to any other request they make, edit and re-edit the photos until you turn blue in the face – they want their money back and that’s final. At this point, your options are those listed in the contract you signed with them. If the client has just cause to ask for their money back, both legally and ethically, there is little you can do but pay up. Whatever you do, don’t let yourself be bullied away from your money.

deal-with-bad-wedding-photos02

4. Get a second shooter, be a second shooter

The best way to learn wedding photography is by being a second shooter. Wedding photography pros recommend second shooting weddings for at least a year, before you attempt to go it on your own, as the main wedding photographer. Similarly, if you’re starting out as a main wedding photographer, it’s almost mandatory to enlist the aid of a second shooter you can trust. At the end of the day, they can make a world of difference, in terms of client satisfaction.

5. Trust your instinct

Lastly, the main takeaway, when you have to deal with bad wedding photos, is that you should always trust your gut when it comes to taking on a gig. If you feel you lack the experience and/or are worried the responsibility is too much for you to handle, find a gracious way to say no. You should never let a client pressure you into a booking, because chances are at the end of the day no one’s going to walk away happy – not you, nor the client.

How to Help Couples Relax in Photographs of Their Big Day

How to Help a Couple Relax in Photographs of Their Big Day Once a couple’s wedding day is here, their simply accepting to get married becomes a piece of cake comparing to the ordeal of getting photographed by a stranger. Well, this term is a bit harsh, but you get the picture. Never mind of you’ve known them your whole life or if you’ve just met them, you must be prepared for the worst-case scenario. You are just an outsider meant to mingle with their energy and show it all on camera. But it’s your job to help these couples relax in photographs  of their big day, photographs you are taking. People are different indeed, and so are the couples they form, and it goes without saying that life is better if you have a special someone to share it with, but what can you do, as a photographer witnessing their big day, to make things seem even more perfect than they could ever imagine? Here are some tips and tricks that are meant to keep the most self-aware bride focused on what you really need in order to take the perfect picture. For a more professional tutorial, find out more here.

Give Them Something To Do

How to Help a Couple Relax in Photographs of Their Big Day2 As a general rule, you should never leave your models without a focus point. Professional models are perfectly capable of finding their own concentration points, but as a wedding photographer, chances to work for professional models are quite seldom. So don’t get your hopes up high, but instead develop this simple trick that’s sure to work in every situation. No matter whom you are dealing with, just put your subjects to work. Ask them to tell jokes, to sing, to jump, to surprise each other, to tickle one another, basically any amusing action that crosses your mind. Take advantage of the fact that they can rely on each other. You can also apply this rule when you have to shoot separate frames, with just one member of the couple. Be creative. The explanation is quite simple: once your couple forgets about your being there, instead of struggling to capture natural and genuine beauty, it will just pop out! No one can act natural, they can either be natural or pretend. And we all know how the latter looks like. Not cool.

Make Them Think of Something Nice

How to Help a Couple Relax in Photographs of Their Big Day3 Well, some couples may be too agitated to think of games, or too excited, or too stressed, or too shy… But don’t panic, there’s always a plan B! Here is a softer version of the solution presented above. For introverts, try to delicately guide them into certain states of mind. Instead of bluntly asking them to stare into your lens, with an uptight smile on their faces, try to make them fall into pleasant states of mind.  Get them to tell you the story of how they met, or the day they decided to get married, or the best holiday they’d had so far, or about their honeymoon plans, etc. A nice mental image can always be seen in their eyes as well, and there you go! That’s your Kodak moment! When asked to think happy thoughts, people de-focus from the actual purpose of their being there. Therefore they will stop being uptight, because they will completely forget about you and focus on what made them happy at one time.

Don’t Forget That You Are Also in the Pictures

You’ll just need to click a button, and your work of art is complete. True, but not quite. It goes without saying that genuine human interaction can help you get the best of any situation. And that includes you as well. As a photographer, you are not only an invisible witness, but also an important part of the context. Even though no one seems to care about this, your not appearing in your photos does not mean that you are not there. So in order to help couples relax in photographs, be present, be warm and offer more of your presence in order to get the best from your models.

A Few Tips on Shooting Great Family Portraits

1

Many of you aspiring professionals have a hard time choosing a photography niche, but some of you already decided to have portrait photography as one of your main go-tos. And the rest of you striving to make it in this transition from an amateur photographer to a pro haven’t really wholeheartedly decided for portrait photography, but you end up doing portrait gigs once in a while because this is what is most often offered to you. Since building a portfolio always requires you to show off your paid gigs, it’s only natural to accept most of the employment offers coming your way even if you don’t need the money that bad (you have another main job) or even if the subject isn’t really your cup of tea. And this is how the matter of family portraits arises.

The customers employing you to take photos for them want portraits most often than not, obviously, so there you have it: sooner or later, every aspiring photographer needs to deal with portrait photography no matter how much or little they like it. But perhaps we’re getting ahead of ourselves and you really have a genuine interest for this kind of photography, well, even better in that case. You’ll need all the enthusiasm you can muster, just as in any other photography niche. We’ve previously shared with you a general outline about the dos and don’ts of portrait photography, but this field has its own subfields which can be very different from each other, like wedding photography, artistic nudes, mother and child photography and so on. Today we’re going to talk about what it takes to shoot really wonderful pictures in the subfield of family portraits, so that you hopefully end up with a product that satisfies both the client and your own artistic and professional exigencies.

1. Be as relaxed as you want your subject to be

Photographers complaining about how some subjects just can’t pose and how they freeze in front of the camera often forget that the subject’s attitude is very often dependent on theirs. Talk to clients beforehand about any previous experiences with photographers and, if they trust you, they’ll confess that photographers freeze too behind the camera and start fidgeting. The manner in which a photographer fidgets is something like this: continuously changing camera settings and lighting, giving contradictory instructions for the subject’s posing, seeming unsure of themselves and of what to do next, and generally conveying a discontent vibe about the whole thing. If you make your subject(s) uncomfortable and general

2. Adjust your lens to the group’s size

The lens you equip dictates what kind of angle your camera will be capable to sustain, as well as opening up a whole array of focusing options. If you’re taking the portrait of a large group, like multiple generations of one family or more than 4-5 people, you need to equip a wide-angle lens of about 18 mm, allowing more people to fit in your shot. A telephoto lens (greater than 70 mm) works, as the name implies, better at a distance, but don’t allow a great angle. If you’re shooting a group sitting further away, this could be a good option. Just climb on something that gives you a bit of an altitude and shoot away for some of the best family portraits ever; the distance will prevent you of missing the angle.

3. Use Exposure Compensation to get the skin tones right

The Exposure Compensation feature is something landscape photographers often use to brighten or darken up skies in order to obtain more realistic or dramatic images. When shooting family portraits, this feature can be used as a trick to make sure that the lighting isn’t tampering with your subjects’ natural skin tone. You can dial up this functionality (the exact place to find it depends on your camera so search it in the manual) by positive or negative ¼ measures until you feel that the skin tone is now just right.

4. Increase your ISO to counteract your subjects’ movement

People tend to move around quite a bit when they have their portraits taken and this is true especially of large groups. Imagine many generations and kids and pets all crammed up together in a tight group and having to wait for multiple shots to be taken. But don’t worry, this can actually work to your advantage, as they will be more relaxed and natural if they’re allowed to move and you may be able to capture some very fun family portraits. The only downside to all this is that movement can make the pictures blurred, depending on your camera’s aperture and shutter. To prevent the blurring, you should increase your ISO and bump up your shutter speed up to 400, and even higher in low light. This might produce a little bit of a grain effect (at higher ISO values like 3200), but even so the pictures will still look better.

Remember to practice patience and friendliness and keep researching and experimenting with various camera settings. Your portrait photography skills and photography skills in general will get better for it.

YouTube Video Optimization for Photographers: 5 Tricks

youtube-video-optimization-for-photographersIf you’re a professional photographer, not only do you (hopefully) have an online showcase of your work, as well as a website and a regularly updated blog – but you are also active on social media and know a thing or two about SEO. Now, content optimization for search engines is neither brain surgery, nor rocket science, but it’s the sort of differentiator that can turn your business into a highly profitable one, when used properly. This is why today we bring you five ideas on how YouTube video optimization for photographers and videographers can bring you new business leads and help you grow your profit margin. They can be used both for branding, as well as for marketing purposes and are a great way to increase your visibility. So here’s what you need to do:

#1 Create a video

It goes without saying that the building block of YouTube video optimization for photographers is actually putting that video out there. Some photographers are camera shy, understandably enough: after all, your job is to stand behind the lens, not in front of it. But the thing is you don’t need to be on camera, in order to create your video ‘business card’, as it were. You can use a platform like Animoto to turn your pictures into a video – and you will definitely want to do that, since, in case you didn’t know, YouTube is the world’s largest search engine, second only to the web giant that owns it, Google itself.

#2 Tagging is essential for YouTube video optimization for photographers

All right, so now you’ve got your video ready to hit the intertubes – but before you upload it, there’s one essential step you need to fiddle with and perfect. That’s tagging, i.e. attaching tags to your work. They work like labels and are best employed as keywords that potential clients in your area are already searching for. They can be anything along the lines of “wedding photography in [your area]”, “[your area] wedding photographer”, or anything along those lines. Choose top targeted keywords as tags and make sure to enter them into the Details tab of the video’s properties, in the title, subtitle, target, and comment areas. In order to find the most appropriate keywords to use, you can always get some hints by using the Keyword Planner function in Google’s AdWords platform.

#3 Use a good title for your video

This one might go without saying, but it’s important to mention, since it’s the second step in our crash course on YouTube video optimization for photographers that needs to be performed before the video is uploaded. Use the top ranking keyword among those you’ve culled out to use as tags. Another important tip is to use the keyword in the beginning of the title, since this lends it more ‘weight’ in the eyes of search engine crawlers.

#4 Drive traffic back to you

The main purpose of YouTube video optimization for photographers is to lead potential business back to your main HQ, which is probably your website or online portfolio. For this purpose, you’re going to want to include a link to said domain as early on as possible in the video description. Use a clear call to action and make sure the link is visible, or else risk losing a business lead in the endless pool of distraction that is YouTube.

#5 Use GeoTagging

Chances are that, if you’re a wedding photographer, you’re going to want clients in your area to find you – receiving the admiration of viewers across the globe may be flattering but, at the end of the day, it doesn’t help lift those profit margins. So add Geo Tags to local videos, via the Advanced Settings option of your account on YouTube. Input your address, then get the precise coordinates on the map that pops up and remember to “Save Changes”. Presto – your vid is now optimized for local searches!

Is Photography School for Professional Wedding Photographers a Must?

photography-school-for-professional-wedding-photographersGoing to photography school for wedding photographers is a personal choice, determined by numerous factors, such as a desire to learn, but also time and financial constraints. The general outlook on this topic can seem divisive: some extoll its advantages and believe attending such courses is mandatory for those who truly wish to call themselves professionals; others, on the other hand, fail to see the perks of it and regard it as a general waste. So, which one is it? Read on, for our version of the pros and cons, and don’t forget to tell us your own opinion in the comment section.

Yes, it is!

You get all the information you need

The main way in which photography school for professional wedding photographers can help is by providing  with the time, space, and structure to accumulate all the essential information you need, on the art of taking pictures. After all, you’ll be dedicating several hours a day, 5 days a week, for at least a few weeks, to this purpose alone. When’s the last time you were able to take some time off for learning, as a pro photog?

You’ll get the degree to show for it

Now, you don’t absolutely need to go to photography school for professional wedding photographers in order to land gigs and develop a lucrative business. However, if you do, chances are that such credentials are going to make you look more dedicated in the eyes of your (potential) clients.

You get to connect and socialize

‘School is not for making friends!’ Well, that might be true for business school, but photography school for wedding photographers is a great opportunity to meet and connect with like-minded professionals. Not only will you get to exchange views with people who have the same interests as you, but you can also strike up lucrative partnerships, or business opportunities. And this social aspect is vital to the success of any photography business.

No, it’s not!

Photography school for wedding photographers disregards business

Sure, it’s great to learn about all the theoretical aspects of photography, understand some history of this art, and hone your technical skills. But what about the business aspect of this trade? Most serious photography courses nowadays do offer business courses, too, but they’re largely theoretical and no match from actual, hands-on experience in running a business. The best way to learn this skill is by going out and doing it.

It’s a waste of your time, really

And since we’re on the topic of running a business – ain’t nobody got time for school, as the popular refrain goes. Think about it: instead of learning a bunch of theory you’ll never use, you could be spending that time actually starting and running a business.

… Not to mention a waste of your money

A lot of the most influential professional photographers out there started out as self-taught amateurs. In the day and age of information, online photography resources, and the Internet, there’s really no need to shell out thousands of dollars for something you could be teaching yourself, for an infinitesimal fraction of those costs.

It doesn’t help with actually succeeding as a photographer

This is perhaps the most contentious moot point, between those who believe photography school for professional wedding photographers is important and those who don’t. At the end of your courses, you will have expended precious time and money, but without actually making any headway with developing your business. A business requires far more than technical, artistic, and even theoretical business knowledge. There’s marketing and branding, shooting and editing, business acquisition and shoot pricing – and, of course, learning. Photography is not the kind of field in which a one-time course will take care of your education. You need to keep learning and developing for the rest of your career.